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Vol 18, No 2 (2017)

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Table of Contents

Introduction

Editorial introduction PDF
Shelley Brunt , Oli Wilson 93-94

Articles

In Melbourne tonight: Pop/rock histories and futures PDF
Shane Homan , Seamus O'Hanlon , Catherine Strong , John Tebbutt 95-109
Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table PDF
Declan Martin 110-130
Playing bluegrass in Australia across country and folk scenes PDF
Miriam Amy Jones 131-153
Liveness and improficiency in The Clean’s influence upon Dunedin Sound bands PDF
Darren Jorgensen 154-165

Reviews

Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. PDF
Alison Blair 166-167
Hill, Sarah. 2016. San Francisco and the Long 60s. New York: Bloomsbury Academic. ISBN 978-1-6289-2421-3 (pbk). 357 pp. PDF
Dave Allen 168-169
David Toop. 2016. Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970. New York and London: Bloomsbury. ISBN 978-1-5013-1451-3 (hbk), 978-1-6289-2769-6 (pbk). 330 pp. PDF
Alf Arvidsson 170-172
João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp. PDF
Pauwke Berkers 173-174
Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. PDF
Jared Mackley-Crump 175-177



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