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Issue Title
 
Vol 13, No 1 (2012) 'Like him or loathe him': 
critical reactions to André Rieu in Australia Abstract
Sarah Keith
 
Vol 3, No 4 (1998) 'QUALITY' CRITICISM Music Reviewing in Australian Rock Magazines Abstract
MARK EVANS
 
Vol 3, No 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen Abstract
MICHAEL WEBB
 
Vol 2, No 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River Abstract
ADRIAN MCNEIL
 
Vol 2, No 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea Abstract
PHILIP HAYWARD
 
Vol 2, No 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop Abstract
ROSS HARLEY
 
Vol 2, No 4 (1996) AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand Abstract
SARA VUI-TALITU
 
Vol 4, No 1 (1998) AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood Abstract
SHANE HOMAN
 
Vol 1, No 3 (1993) AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation Abstract
Philip Hayward
 
Vol 15, No 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett Abstract
Catherine Strong
 
Vol 16, No 1-2 (2015) Allen, Tony, with Michael Veal. 2013. Tony Allen: An Autobiography of the Master Drummer of Afrobeat. Durham, NC and London: Duke University Press. ISBN 978- 0-8223-5577-9 (pbk). 199 pp Details
Kent Anthony Windress
 
Vol 2, No 2 (1995) ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) Abstract
JACKEY COYLE, REBECCA COYLE
 
Vol 2, No 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY Abstract
GEORGE H. LEWIS
 
Vol 17, No 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia Abstract
Brent Keogh
 
Vol 16, No 1-2 (2015) An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ Abstract
Jared Mackley-Crump
 
Vol 16, No 1-2 (2015) An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes Abstract
Samuel Charles Whiting
 
Vol 16, No 1-2 (2015) An interview with Rev. Dennis Kamakahi: “Ka Manu” and conversations with the past Abstract
Joseph Keola Donaghy
 
Vol 15, No 2 (2014) An interview with Tiki Taane: Expressing cultural heritage and identity through music Abstract
Oli Wilson
 
Vol 14, No 1 (2013) Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00. Details
Gwen Bouvier
 
Vol 8, No 3 (2007) AOTEAROA SONGLINES Abstract
TONY MITCHELL
 
Vol 3, No 2 (1997) AUSTRALIA'S NATIONAL INSTRUMENT? Abstract
BRUCE JOHNSON
 
Vol 2, No 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 Abstract
BRUCE JOHNSON
 
Vol 1, No 2 (1993) AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry Abstract
Diane Langman
 
Vol 3, No 2 (1997) BACK EAST - The Blue Diamonds' Indonesian Tours Abstract
LUTGARD MUTSAERS
 
Vol 16, No 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp Details
Åse Ottosson
 
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