Sucking in the Seventies?

The Rolling Stones and the aftermath of the permissive society

Authors

  • Marcus Collins Loughborough University Author

DOI:

https://doi.org/10.1558/pomh.v7i1.5

Keywords:

Britain, celebrity, libertarianism, permissiveness, permissive society, rock music, seventies, The Rolling Stones

Abstract

This article explores how the Rolling Stones, as the most famous sixties rock band to survive the seventies, capture the changing nature of permissiveness across the two decades. The first section examines their continued opposition to what they perceived to be the anti-permissive forces of church, state and censorship in the seventies, though they moderated their antipathy to the music industry. The second section assesses how the Stones attempted to fashion their private lives along libertarian lines. It argues that, although they relished the unprecedented freedoms afforded to them as seventies rock stars, they risked becoming the victims of their own excess. The Stones therefore exemplify how permissiveness at once expanded in the seventies and lost much of its radical charge.

Author Biography

  • Marcus Collins, Loughborough University

    Marcus Collins is Lecturer in Modern British History at Loughborough University. He is author of Modern Love (2003) and editor of The Permissive Society and its Enemies (2007) and is currently writing separate studies of the Beatles and the Rolling Stones.

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Published

2013-02-05

Issue

Section

Articles

How to Cite

Collins, M. (2013). Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society. Popular Music History, 7(1), 5-23. https://doi.org/10.1558/pomh.v7i1.5