Authenticity as authenticating

the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis

Authors

  • Richard Ekins University of Ulster Author

DOI:

https://doi.org/10.1558/pomh.v7i1.24

Keywords:

authenticating, authenticity, Dan Pawson, grounded theory, Ken Colyer, New Orleans jazz revivalism, social worlds

Abstract

This article considers the emergence and development of New Orleans jazz revivalism in terms of a conceptual framework developed around the core category of ‘authenticating’. It develops a grounded theory of authenticating conceptualized as a ‘basic social process’ and constructs a phased trajectory of authenticating that incorporates the major sub-processes identified as ‘sourcing’, ‘selecting’, ‘adopting’, ‘adapting’ and ‘progressing’ authenticity. The article sets these sub-processes within competing social worlds of jazz authenticity and purism, as they and their accompanying ideologies have variously emerged and segmented.

Author Biography

  • Richard Ekins, University of Ulster

    Richard Ekins is Professor of Media Studies, University of Ulster, UK. He is a record producer for 504/La Croix Records.

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Published

2013-02-05

Issue

Section

Articles

How to Cite

Ekins, R. (2013). Authenticity as authenticating: the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis. Popular Music History, 7(1), 24-52. https://doi.org/10.1558/pomh.v7i1.24