Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues.

Authors

  • Sarah Kenny University of Birmingham Author

DOI:

https://doi.org/10.1558/pomh.42273

Keywords:

live performance, urban space, architectural history

Abstract

Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. London: Bloomsbury Academic, 2019. 286 pp. ISBN 978-1-5013-1928-0 (pbk).

References

Chatterton, P., and R. Hollands. 2003. Urban Nightscapes: Youth Cultures, Pleasure Spaces and Corporate Power. Abingdon: Taylor & Francis.

Connell, J., and C. Gibson. 2003. Sound Tracks: Popular Music, Identity and Place. Abingdon: Routledge.

Haslam, D. 2015. Life After Dark: A History of British Nightclubs and Music Venues. London: Simon & Schuster.

Howard, D., and L. Moretti. 2009. Sound and Space in Renaissance Venice: Architecture, Music, Acoustics. New Haven, CT: Yale University Press.

Nott, J. 2018. ‘Dance Halls: Towards an Architectural and Spatial History, c.1918–65’. Architectural History 61: 205–233. https://doi.org/10.1017/arh.2018.8

Downloads

Published

2020-11-13

Issue

Vol. 12 No. 3 (2019): Special Issue: Listening again to popular music as history (Part 2)

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Kenny, S. (2020). Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. Popular Music History, 12(3), 337–339. https://doi.org/10.1558/pomh.42273