Popular Music and Historiography
DOI:
https://doi.org/10.1558/pomh.1.1.9.56027Keywords:
ethnmusicology, music genres, Frankfurt SchoolAbstract
A study of the proliferation, institutionalization and legitimization of the study of popular music over the past several decades.
References
Berlin, Irving. 1958. The Songs of Irving Berlin. New York: Irving Berlin Music Corp.
Bloom?eld, Terry. 1993. “Resisting Songs: Negative Dialectics in Pop.” Popular Music 12.1: 13–31.
Cockrell, Dale. 1997. Demons of Disorder: Early Blackface Minstrels and their World. Cambridge: Cambridge University Press.
Herbert, Trevor. 1990. “The Repertory of a Victorian Provincial Brass Band.” Popular Music 9.1: 117–32.
Kerman, Joseph. 1985. Contemplating Music: Challenges to Musicology. Cambridge, MA: Harvard University Press.
Lhamon, T. 1998. Raising Cain: Blackface Performance from Jim Crow to Hip Hop. Cambridge, MA and London: Harvard University Press.
Lott, Eric. 1993. Love and Theft: Blackface Minstrelsy and the American Working Class. New York and Oxford: Oxford University Press.
Mahar, William J. 1999. Behind the Burnt Cork Mass: Early Blackface Minstrelsy and Antebellum American Popular Culture. Urbana and Chicago: University of Illinois Press.
Moore, Allan F. 1992. “Patterns of Harmony.” Popular Music 11.1: 73–106.
Palisca, Claude V. 1963. “American Scholarship in Western Music.” In Frank Lloyd Harrison, Mantle Hood and Claude V. Palisca, 89–213. Musicology (Englewood Cliffs, NJ: PrenticeHall).
Randel, Don Michael, ed. 2003. The Harvard Dictionary of Music, 4th edn. Cambridge, MA and London: The Belknap Press of Harvard University Press.
Whitburn, Joel. 1973. Top Pop Records: 1955–1972. Menomonee Falls, WI: Record Research Inc.
—1986. Joel Whitburn’s Pop Memories 1890–1954: The History of American Popular Music. Menomonee Falls, WI: Record Research Inc.
Bloom?eld, Terry. 1993. “Resisting Songs: Negative Dialectics in Pop.” Popular Music 12.1: 13–31.
Cockrell, Dale. 1997. Demons of Disorder: Early Blackface Minstrels and their World. Cambridge: Cambridge University Press.
Herbert, Trevor. 1990. “The Repertory of a Victorian Provincial Brass Band.” Popular Music 9.1: 117–32.
Kerman, Joseph. 1985. Contemplating Music: Challenges to Musicology. Cambridge, MA: Harvard University Press.
Lhamon, T. 1998. Raising Cain: Blackface Performance from Jim Crow to Hip Hop. Cambridge, MA and London: Harvard University Press.
Lott, Eric. 1993. Love and Theft: Blackface Minstrelsy and the American Working Class. New York and Oxford: Oxford University Press.
Mahar, William J. 1999. Behind the Burnt Cork Mass: Early Blackface Minstrelsy and Antebellum American Popular Culture. Urbana and Chicago: University of Illinois Press.
Moore, Allan F. 1992. “Patterns of Harmony.” Popular Music 11.1: 73–106.
Palisca, Claude V. 1963. “American Scholarship in Western Music.” In Frank Lloyd Harrison, Mantle Hood and Claude V. Palisca, 89–213. Musicology (Englewood Cliffs, NJ: PrenticeHall).
Randel, Don Michael, ed. 2003. The Harvard Dictionary of Music, 4th edn. Cambridge, MA and London: The Belknap Press of Harvard University Press.
Whitburn, Joel. 1973. Top Pop Records: 1955–1972. Menomonee Falls, WI: Record Research Inc.
—1986. Joel Whitburn’s Pop Memories 1890–1954: The History of American Popular Music. Menomonee Falls, WI: Record Research Inc.
Published
2004-02-04
Issue
Section
Articles
How to Cite
Hamm, C. (2004). Popular Music and Historiography. Popular Music History, 1(1), 9-14. https://doi.org/10.1558/pomh.1.1.9.56027
