Peace, Conflict and Identity in Religious Representations of India

Mother Goddess of the Nation and her Beloved Daughter

Authors

  • K. Unni Krishnan Manipal University Author

DOI:

https://doi.org/10.1558/rosa.v9i1.29443

Keywords:

Bharat Mata, goddess, iconography, identity, India, Karnataka, Kuvempu, Thayee Bhuvaneshvari

Abstract

This article explores the history of a semi-religious local figure established through visuals, in relation to local, national and global society, culture and politics. The topic is the mother goddess Thayee Bhuvaneshwari, represented as the embodiment of the state of Karnataka and beloved daughter of Mother India or Bharat Mata. Representations of the goddess are discussed against the backdrop of political developments during the twentieth century: the politics of linguistic communities, agitations by minorities over language, the dispute over the Kaveri river waters, and questions of territoriality. While there has been much work on Indian poster art and its relation to popular visuals, little of it is on south India. The article deals with iconography, the politics of poster art, and the relationship between such art and popular visuals. From a socio-religious perspective, it explores how this icon has contributed in developing the identity of the state of Karnataka in close parallel to the role played by the concept of Bharat Mata at the national level. secondly, it illustrates the religious influence of the mother representation and the role the goddess played during the movement for the formation of the state of Karnataka after Independence. Finally it delineates the peace-keeping role of the goddess as a patron of all religious communities of Karnataka.

Author Biography

  • K. Unni Krishnan, Manipal University

    K. Unni Krishnan is associate Professor, school of Communication, Manipal University. he received his doctorate from M.s. University of Baroda in July 2014. he was a Fulbright Doctoral Fellow at Maryland Institute College of art, Usa. he is grateful to Manipal University, to the spalding symposium on Indian Religions, and Maryland Institute College of art for sponsoring his participation in Oxford in 2013, and to Dermot Killingley for help in preparing this article.

References

Berger, John. 1972. Ways of Seeing. London: Penguin.

Doddametti, Andanappa. 1969. Karnataka Mahimna Stotra. 3rd edn. Bangalore: Independent Publication.

Guha-Thakurta, Tapati. 1992. The Making of a New 'Indian' Art: Artists, Aesthetics and Nationalism in Bengal, c. 1850-1920. Cambridge: Cambridge University Press.

Kuvempu (Kuppali Venkatappa Puttappa). 2011. Selected Poems. Classical Kannada Texts in Translation series. Hampi: Prasaranga, Kannada University.

Ramaswamy, Sumathi. 2010. The Goddess and the Nation: Mapping Mother India. Durham, NC: Duke University Press.

Published

2015-12-31

Issue

Section

Articles

How to Cite

Krishnan, K. U. (2015). Peace, Conflict and Identity in Religious Representations of India: Mother Goddess of the Nation and her Beloved Daughter. Religions of South Asia, 9(1), 64-80. https://doi.org/10.1558/rosa.v9i1.29443