African Youth Language: New Media, Performance Arts and Sociolinguistic Development Ellen Hurst-Harosh and Fridah Kanana Erastus (eds) (2019)

Authors

  • Stephen Olabanji Boluwaduro University of Ibadan, Nigeria Author

DOI:

https://doi.org/10.1558/sols.42438

Keywords:

Code-Switching, Linguistic Ideologies, Language Attitudes, Diglossia

Abstract

African Youth Language: New Media, Performance Arts and Sociolinguistic Development Ellen Hurst-Harosh and Fridah Kanana Erastus (eds) (2019) Cham: Palgrave Macmillan ISBN: 978-3-319-64561-2 (hbk) ISBN: 978-3-319-64562-9 (e-book). Pp. 249  

References

Barber, K. (2018) A History of African Popular Culture: New Approaches to African History. Cambridge: Cambridge University Press. Doi: https://doi.org/10.1017/9781139061766.

Berland, J. (1988) Placing Television. New Formations 4: 145–154.

Boluwaduro, S. (2018) Lagos: Music and the postcolonial metropolis. Muziki: Journal of Music Research in Africa 15(2): 44–60. Doi: https://doi.org/10.1080/18125980.2018.1527660.

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Published

2021-02-10

Issue

Vol. 14 No. 4 (2020)

Section

Book Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Boluwaduro, S. O. (2021). African Youth Language: New Media, Performance Arts and Sociolinguistic Development Ellen Hurst-Harosh and Fridah Kanana Erastus (eds) (2019). Sociolinguistic Studies, 14(4), 551–555. https://doi.org/10.1558/sols.42438