Indexing metadata

Discourses of Authenticity in Contemporary Jewish Practices of Niggunim Singing


 
Dublin Core PKP Metadata Items Metadata for this Document
 
1. Title Title of document Discourses of Authenticity in Contemporary Jewish Practices of Niggunim Singing - Contesting Authority
 
2. Creator Author's name, affiliation, country Ruth Illman; The Donner Institute for Research in Religious and Cultural History; Finland
 
3. Subject Discipline(s) Religious Studies; Ethnography
 
4. Subject Keyword(s) Judaism; Jewish Music; Nigunim; Contemporary Religious Practice; Vernacular Religion; London
 
5. Subject Subject classification vernacular religion
 
6. Description Abstract As the traditional Hasidic way of life was extinguished by the Holocaust, the last “authentic” form of Jewish mysticism came to a close, Gershom Scholem argued in his momentous book Major Trends in Jewish Mysticism (1941, p. 34): ”it has become again what it was in the beginning: the esoteric wisdom of small groups of men out of touch with life and without any influence in it.” Nevertheless, practices stemming from Kabbalah and Jewish mystical sources have since the turn of the millennium become more popular than ever inside as well as outside Jewish communities in Europe and North America, relocating and reframing traditional practices for a late-modern, urban, liberal and liquid spiritual milieu. But are such vernacular practices to be seen as “authentic” continuations of the tradition, or merely as vulgar commodifications? Here, the views of contemporary researchers differ significantly.





This article focuses on the contemporary practice of nigunim – the wordless melodies that Hasidic Jews have been dancing and chanting for ages as an embodied prayer practice. The nigunim practice is currently experiencing a renaissance as part of an experience-based, un-dogmatic, emotionally saturated and border-crossing form of Jewish spirituality. For this article, ethnographic material has been gathered among Jews from progressive milieus in London to shed light on the practice. The focus on music, body, experience and emotions in contrast to dogmas, institutions, hierarchies and words form the nexus of the analysis, and the article suggests that the dichotomy between “authentic” and “vulgarised” practice can be overcome by applying a vernacular religious perspective.





 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 01-Oct-2022
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/books/article/view/29210
 
14. Identifier Digital Object Identifier 10.1558/equinox.29210
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Contesting Authority
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) world,
contemporary
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd