Indexing metadata

The Cool Culture of Neoliberal Capitalism


 
Dublin Core PKP Metadata Items Metadata for this Document
 
1. Title Title of document The Cool Culture of Neoliberal Capitalism - Trajectories and Themes in World Popular Music
 
2. Creator Author's name, affiliation, country Simone Krüger Bridge; Liverpool John Moores University; United Kingdom
 
3. Subject Discipline(s) Popular Music
 
4. Subject Keyword(s) popular music; world music; commodification; critical theory; Europeanization; colonialism; industrialization; modernity; 1990s; cool culture; branding; postfeminism
 
6. Description Abstract Chapter 4 explores the way that popular music consumption of the noughties became influenced by a new cultural logic—the cool and the hip. Chapter 4 first explores the origins of cool and establishes the idea that neoliberal capitalism is cool capitalism. In the age of neoliberal capitalism, the ideology of cool determines cultural production and consumption, and has thereby become the focal point of popular culture globally, influencing a diverse range of contemporary trends and fields from food, music, and fashion, to technology and cinema. The hip and the cool are examples of non-economic forms of value created through branding practices. Coolness has become an incredibly powerful concept within business and marketing. It is a universal motivator for teens and youths, as well as for a large range of other age groups. Coolness excites consumers, adds symbolic value to products, and drives consumer trends. Coolness and consumption are intrinsically linked. Consumption in postmodern popular culture is central to identity formation and acquisition of status—cool, triggering in consumers the desire to achieve a cool lifestyle through consumption. The cool culture of neoliberal capitalism is clearly evident in the branding processes surrounding the “cool celebrity personae”, relevant to which is artists’ resilience to contemporary forms of (gendered, racist) patriarchy presented in much contemporary world popular music. Chapter 4 illustrates the way that coolness is gendered, exploring cool masculinities and cool postfeminism in world popular music, while showing “our” cultural complicities with patriarchy and the persistence of racism and sexism in cool popular culture globally. Moreover, cool technologies have further contributed to the veritable explosion of commodity fetishism and cool seduction under cool capitalism. Cool (neoliberal) popular culture extols celebrity and success, and promotes and celebrates values of the public self and possessive individualism.





 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 28-Mar-2018
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/books/article/view/34462
 
14. Identifier Digital Object Identifier 10.1558/equinox.34462
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Trajectories and Themes in World Popular Music
 
16. Language English=en english
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) international,
modern to contemporary
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd