Singing, Sonic Authenticity and Stardom in Dancer in the Dark
Dublin Core | PKP Metadata Items | Metadata for this Document | |
1. | Title | Title of document | Singing, Sonic Authenticity and Stardom in Dancer in the Dark - The Singing Voice in Contemporary Cinema |
2. | Creator | Author's name, affiliation, country | Nessa Johnston; Edge Hill University; |
3. | Subject | Discipline(s) | Musicology |
4. | Subject | Keyword(s) | singing in cinema |
5. | Subject | Subject classification | cinema |
6. | Description | Abstract | This chapter analyses Icelandic singer Björk’s singing voice in her performance as Selma in Dancer in the Dark (2000), situated within the context of the Dogma 95 movement’s discourses around ‘truth’, authenticity and filmmaking, with a particular focus on the sonic mediation of Björk’s performance. |
7. | Publisher | Organizing agency, location | Equinox Publishing Ltd |
8. | Contributor | Sponsor(s) | |
9. | Date | (YYYY-MM-DD) | 24-Nov-2020 |
10. | Type | Status & genre | Peer-reviewed Article |
11. | Type | Type | |
12. | Format | File format | |
13. | Identifier | Uniform Resource Identifier | https://journals.equinoxpub.com/index.php/books/article/view/35459 |
14. | Identifier | Digital Object Identifier | 10.1558/equinox.35459 |
15. | Source | Journal/conference title; vol., no. (year) | Equinox eBooks Publishing; The Singing Voice in Contemporary Cinema |
16. | Language | English=en | en |
18. | Coverage | Geo-spatial location, chronological period, research sample (gender, age, etc.) | |
19. | Rights | Copyright and permissions | Copyright 2014 Equinox Publishing Ltd |