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Singing, Sonic Authenticity and Stardom in Dancer in the Dark


 
Dublin Core PKP Metadata Items Metadata for this Document
 
1. Title Title of document Singing, Sonic Authenticity and Stardom in Dancer in the Dark - The Singing Voice in Contemporary Cinema
 
2. Creator Author's name, affiliation, country Nessa Johnston; Edge Hill University;
 
3. Subject Discipline(s) Musicology
 
4. Subject Keyword(s) singing in cinema
 
5. Subject Subject classification cinema
 
6. Description Abstract This chapter analyses Icelandic singer Björk’s singing voice in her performance as Selma
in Dancer in the Dark (2000), situated within the context of the Dogma 95 movement’s
discourses around ‘truth’, authenticity and filmmaking, with a particular focus on the sonic
mediation of Björk’s performance.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 24-Nov-2020
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/books/article/view/35459
 
14. Identifier Digital Object Identifier 10.1558/equinox.35459
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; The Singing Voice in Contemporary Cinema
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd