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14. Questioning Safeguarding: Heritage and Capabilities at Jemaa el Fnaa Square, Morocco


 
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1. Title Title of document 14. Questioning Safeguarding: Heritage and Capabilities at Jemaa el Fnaa Square, Morocco - Cultural Mapping and Musical Diversity
 
2. Creator Author's name, affiliation, country Tom Beardslee; Independent Scholar;
 
3. Subject Discipline(s) Music
 
4. Subject Keyword(s) UNESCO; music and culture; music heritage; cultural heritage; ethnomusicology; music and landscape; intangible cultural heritage
 
5. Subject Subject classification Music and culture
 
6. Description Abstract Since the Declaration of Masterpieces and the highly successful 2003 Convention, the UNESCO paradigms of Intangible Cultural Heritage and safeguarding have become influential concepts in international, national, and local cultural policy. However, as is argued here, this concept of safeguarding attempts to impose onto the flow of human activity a way of thinking better suited to physical sites: culture as a static edifice that is under threat of erosion, with safeguarding as a process of ‘shoring up’. This results in an awkward fit of both theory and practice that leads to projects with unattainable goals, poorly-directed resources, and limited benefits for their intended recipients.
This chapter is based on a year of fieldwork research conducted with the open-air performers at Jemaa el Fnaa Square in Marrakech, Morocco. The Square was in many ways the genesis of UNESCO’s Intangible Cultural Heritage project, and serves as a useful case study with which to discuss the effects (or lack thereof) of the safeguarding approach on a community ofperformers. This case study will be used to problematize the concepts of heritage and safeguarding, while proposing Amartya Sen's/ Martha Nussbaum's capabilities approach as an alternative framework for actions relating to cultural heritage, intangible or otherwise. The capabilities approach seeks ways of enhancing the possible range of choices and abilities of individuals and communities, privileging this over the prescribing of particular activities. This approach is well-suited to projects relating to culture, which is a fluid and dynamic process resistant to static, prescriptive notions of ‘heritage.’ The chapter hereby also discusses ways in which using the idea of capabilities as a starting point could result in more effective action, meeting both the capabilities deficits of individuals and many of the hopes of those wanting to see their traditions continue.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 15-Feb-2020
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/books/article/view/35839
 
14. Identifier Digital Object Identifier 10.1558/equinox.35839
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Cultural Mapping and Musical Diversity
 
16. Language English=en en
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd