Indexing metadata

Companion Website


 
Dublin Core PKP Metadata Items Metadata for this Document
 
1. Title Title of document Companion Website - Trajectories and Themes in World Popular Music
 
2. Creator Author's name, affiliation, country Simone Krüger Bridge; Liverpool John Moores University; United Kingdom
 
3. Subject Discipline(s) Popular Music
 
4. Subject Keyword(s) popular music; world music; commodification; critical theory; Europeanization; colonialism; industrialization; modernity,
 
5. Subject Subject classification popular music; easy listening; world music
 
6. Description Abstract This book traces the trajectories of modern globalization since the late nineteenth century, and considers hegemonic cultural beliefs and practices during the various phases of the history of capitalism. It offers a way to study world popular music from the perspective of critical social theory.

Moving chronologically, the book adopts the three phases in the history of capitalist hegemony since the nineteenth century—liberal, organized, and neoliberal capitalism—to consider world popular music in each of these cultural contexts. While capitalism is now everywhere, its history has been one borne out of racism and masculine hegemony. Early Europeanization and globalization have had a major impact upon western race/gender/sexuality/capitalist hegemony, while nascent technologies of capital have led to a renewed reification and exploitation of racialized, sexualized, and classed populations. This book offers a critique of the relationship between emergent capitalist formations and culture over the past hundred years. It explores the way that world popular music mediates economic, cultural, and ideological conditions, through which capitalism has been created in multiple and heterogeneous ways, understanding world popular music as the production of meaning through language and representation. The various dimensions considered in the book are the work of critical social science—a critique of capitalism’s impact upon popular music in historical and world perspective.

This book provides a powerful contemporary framework for contemporary popular music studies with a distinctive global and interdisciplinary awareness, covering empirical research from across the world in addition to well-established and newer theory from the music disciplines, social sciences, and humanities. It offers fresh conceptualizations about world popular music seen within the context of globalization, capitalism, and identity.
 
7. Publisher Organizing agency, location Equinox Publishing Ltd
 
8. Contributor Sponsor(s)
 
9. Date (YYYY-MM-DD) 28-Mar-2018
 
10. Type Status & genre Peer-reviewed Article
 
11. Type Type
 
12. Format File format PDF
 
13. Identifier Uniform Resource Identifier https://journals.equinoxpub.com/books/article/view/36151
 
14. Identifier Digital Object Identifier 10.1558/equinox.36151
 
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Trajectories and Themes in World Popular Music
 
16. Language English=en english
 
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.) international,
modern to contemporary
 
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd