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8. Shinto Spaces and Shinbutsu Interaction in the Noh

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1. Title Title of document 8. Shinto Spaces and Shinbutsu Interaction in the Noh - Exploring Shinto
2. Creator Author's name, affiliation, country Dunja Jelesijevic; Northern Arizona University;
3. Subject Discipline(s) Buddhist Studies
4. Subject Keyword(s) Japanese religion; Shinto; Kami; Suwa Grand Shrine; Buddhism; Tendai; Ise Shrine; Yoshida Bonshun; Shinbutsu; Noh; Shin Buddhism; Fusokyo; Shinshukyo
5. Subject Subject classification Shinto Studies
6. Description Abstract Drawing on religious, ritual, and literary origins, the Noh theatre developed as a unique performance art and literary genre, incorporating Shintō-related mythology and Buddhist spirituality. In this paper two Noh plays, Yamamba and Nonomiya, are analyzed as case studies for how performative, literary, geographical, and ritual space overlap in mutual re-inscriptions of Buddhist and Shintō cosmologies. These two plays are particularly useful for such inquiry as they exemplify, respectively, two most prominent ways in which Shintō space is materialized: a distinguished shrine and its surroundings, and an open natural space (a mountain) understood to be residence of kami, while their shite (the leading protagonists) are an extension and embodiment of this space, eventually themselves becoming sites for the religious interplay taking place.
7. Publisher Organizing agency, location Equinox Publishing Ltd
8. Contributor Sponsor(s)
9. Date (YYYY-MM-DD) 15-Jul-2020
10. Type Status & genre Peer-reviewed Article
11. Type Type
12. Format File format PDF
13. Identifier Uniform Resource Identifier
14. Identifier Digital Object Identifier 10.1558/equinox.39488
15. Source Journal/conference title; vol., no. (year) Equinox eBooks Publishing; Exploring Shinto
16. Language English=en en
18. Coverage Geo-spatial location, chronological period, research sample (gender, age, etc.)
19. Rights Copyright and permissions Copyright 2014 Equinox Publishing Ltd