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Journal Issue Title
 
Journal of Film Music Vol 7 No. 2 (2014) Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond View
Megan Woller
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Journal of Film Music Vol 4 No. 1 (2011) The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie View
Ronald Rodman
 
Journal of Film Music Vol 4 No. 1 (2011) The Problem of Music in a Historical Film View
Herbert Stothart
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Ben-Hur Legacy View
Roger Hickman
 
Journal of Film Music Vol 3 No. 2 (2010) “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey View
Julia Heimerdinger
 
Journal of Film Music Vol 4 No. 2 (2011) Philip Furia and Laurie Patterson. The Songs of Hollywood View
Jennifer L. Roth-Burnette
 
Journal of Film Music Vol 2 No. 1 (2007) “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey View
Paul A. Merkley, FRSC
 
Religious Studies and Theology Vol 38 No. 1-2 (2019) Special Issue: Festschrift for Michel Desjardins Michel Desjardins: An Angel of Academia View
Erica Hurwitz Andrus
 
Journal of Film Music Vol 3 No. 2 (2010) “‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” View
Kate McQuiston
 
Popular Music History Vol 7 No. 2 (2012) Resource notes View
Andy Linehan
 
Journal of Film Music Vol 4 No. 2 (2011) Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical View
Melissa Ursula Dawn Goldsmith
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Journal of Film Music Vol 2 No. 1 (2007) James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] View
David Cooper
 
Implicit Religion Vol 19 No. 3 (2016) Survivor, Warrior, Mother, Savior: The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War View
George Faithful
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony View
Beth E. Levy
 
Popular Music History Vol 6 No. 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 View
Gerben Bakker
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Catching Light; Looking for God in the Movies by Roy M. Anker View
Paul Nathanson
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Bulletin for the Study of Religion Vol 42 No. 4 (2013) Bulletin for the Study of Religion A Cinematic Approach to Teaching the Synoptic Problem View
Jeffrey Staley
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading View
David Neumeyer
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
International Journal of Speech Language and the Law Vol 26 No. 2 (2019) Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker View
Dominic Watt, Peter S. Harrison, Lily Cabot-King
 
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