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| Journal | Issue | Title | |
| Journal of Film Music | Vol 1 No. 1 (2002) | Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] | View |
| Linda Schubert | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo | View |
| David Cooper | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] | View |
| Nicholas Reyland | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | The Vision Scenes in Bernadette: Newman's and Powell's Contributions | View |
| Roland Jackson | |||
| Perfect Beat | Vol 1 No. 2 (1993) | SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality | View |
| Philip Hayward | |||
| CALICO Journal | Vol 17 No. 1 (2000) | Murder on the Internet | View |
| Terri Nelson, Walter Oliver | |||
| Equinox eBooks Publishing | Approaches to Systemic Functional Grammar | 7. On the Meaning-Form Interface of the Cardiff Grammar | View |
| Victor Castel | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | The Mystery of Herrmann's Music for Selznick's Portrait of Jennie | View |
| Thomas DeMary | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
| William H. Rosar | |||
| Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
| Kathryn Hill | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ | View |
| John Whiteoak | |||
| Perfect Beat | Vol 1 No. 3 (1993) | FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia | View |
| John Whiteoak | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 | View |
| Pedro Nunes | |||
| Fieldwork in Religion | Vol 6 No. 2 (2011) ‘Qualitative methods for the study of contemporary religion’ | “Search-and-Replace”: Artists' Worldviews Detected and Researched | View |
| Rhea Hummel | |||
| Implicit Religion | Vol 18 No. 3 (2015) | Implicit Religion, Explicit Religion and Attitude Toward Substances: An Empirical Enquiry Among 13- to 15-year-old Adolescents | View |
| Gemma Penny, Leslie Francis | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | Multimodality and audiences: local languaging in the Gambian linguistic landscape | View |
| Kasper Juffermans | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
| Loes Rusch | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke | View |
| Nicholas Gebhardt | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 2 (2012) | A Lodge of Sorrow for King Leopold I of Belgium (1866): Masonic Patriotism and Spirituality on Trial | View |
| Jeffrey Tyssens | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island | View |
| Philip Hayward, John Fangjun Li | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Watching them walk out taller than they walked in: Sydney's venues in 2016 | View |
| Martin Cloonan | |||
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