The English artist and occultist Austin Osman Spare (1886–1956) created a dense and fecund body of work that is built upon a foundation of automa¬tism, the pursuit of a state of Vacuity, and the reification of what Spare termed “Self-Love.” Although a one-time student of Aleister Crowley and clearly influenced by some aspects of Western European esoteric currents, Spare has remained on the margins of the twentieth-century occult revival due both to the complexity of his language and idiosyncratic nature of his system of magical theory and practice. A number of voices have, however, sought to locate Spare and his system within a “shamanic” framework linked to perceptions/constructions of “witchcraft” and “Amerindian sorcery.” This article seeks to examine what this might mean through a discussion of the dual influence of Michael Harner’s core-shamanism and Kenneth Grant’s mediation of Spare, while also providing an overview of Spare’s writings on “trance” techniques designed to address the apparent evidence for his “shamanic” identity.