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| Journal | Issue | Title | |
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
| Ronald Rodman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
| Jon Fitzgerald | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
| Dawn Bennett | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Perfect Beat | Vol 13 No. 1 (2012) | ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations | View |
| Katelyn Barney | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
| Chris Gibson | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
| Joseph Cummins | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
| Botond Vitos | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
| Rachael Gorham, Arielle Nakache | |||
| Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
| Michael Flint | |||
| Perfect Beat | Vol 8 No. 4 (2008) | THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY | View |
| PHILIP McINTYRE, BRYAN PATON | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
| SHUHEI HOSOKAWA | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | View |
| PETER DUNBAR-HALL | |||
| 7126 - 7150 of 7849 Items | << < 281 282 283 284 285 286 287 288 289 290 > >> | ||
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