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Journal | Issue | Title | |
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
Tomoko Deguchi | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
Timothy Koozin | |||
Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
Ronald Rodman | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
Tobias Plebuch | |||
Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
Janina Müller, Tobias Plebuch | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
Jon Fitzgerald | |||
Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
Matt Gillan | |||
Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
Dawn Bennett | |||
Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
Hyunjoon Shin | |||
Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
Kimi Coaldrake | |||
Perfect Beat | Vol 13 No. 1 (2012) | ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations | View |
Katelyn Barney | |||
Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
Chris Gibson | |||
Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
Jennifer Cattermole | |||
Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
Anthony Y.H. Fung | |||
Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
Catherine Strong | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
Michael Richard Clement Jr. | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
Joseph Cummins | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
Botond Vitos | |||
Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
Philip Hayward, Rachael Privett | |||
Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
Rachael Gorham, Arielle Nakache | |||
Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
Michael Flint | |||
Perfect Beat | Vol 8 No. 4 (2008) | THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY | View |
PHILIP McINTYRE, BRYAN PATON | |||
Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
MASAHIRO YASUDA | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
TONY MITCHELL, ROY SHUKER | |||
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