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| Journal | Issue | Title | |
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Devotional Transformation: Miracles, Mechanical Artifice, and Spectatorship in Indian Cinema | View |
| Ravi Vasudevan | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung | View |
| James Mitchell | |||
| Gender and Language | Vol 8 No. 2 (2014) Gender, language and the media | Powerful women, vulnerable men and postfeminist masculinity in men’s popular fiction | View |
| Rosalind Gill | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive | View |
| Alessandro Bratus | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | From South Korea to the Southern Hemisphere: K-Pop below the Equator | View |
| Stephen Epstein | |||
| Journal of Applied Linguistics and Professional Practice | Vol 5 No. 1 (2008) JAL Vol 5, No 1 (2008) | The interpretation of conflict and negotiation in post-paper presentation discussions | View |
| Pauline Webber, Kyriacos Andreas Kyriacou | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Bulletin for the Study of Religion | Vol 41 No. 4 (2012) | Counting on the Words | View |
| Jason C. Bivins | |||
| Equinox eBooks Publishing | Subtle Citation, Allusion, and Translation in the Hebrew Bible | 9. The Book of Job and Mesopotamian Literature: How Many Degrees of Separation? | View |
| Edward L. Greenstein | |||
| Equinox eBooks Publishing | Politeness Phenomena across Chinese Genres | 11. Backchanneling for Positive Politeness in Chinese TV Interviews | View |
| Chunmei Hu, Rong Chen | |||
| Equinox eBooks Publishing | Understanding the Paragraph and Paragraphing | The Paragraph Break and Other Discourse-Managing Tools | View |
| Iain McGee | |||
| Equinox eBooks Publishing | The Public Archaeology of Death | Here lies ‘ZOMBIESLAYER2000’, May He Rest in Pieces: Mortuary Archaeology in MMOs, MMORPGs, and MOBAs | View |
| Rachael Nicholson | |||
| Equinox eBooks Publishing | Hear My Train A Comin’ | The Songs from Jimi Hendrix | View |
| Kevin Le Gendre | |||
| Equinox eBooks Publishing | Bikutsi | Women’s Song-and-Dance-Pieces: The "Original" Bikutsi | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music in Theory and Practice | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Musical Functions in Turkey and Ghent | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Looking Back and Forward | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Muslim Identities | 2. The Making of the Last Prophet | View |
| Aaron Hughes | |||
| Equinox eBooks Publishing | Reading to Learn, Reading the World | Learning to Use Reading to Learn in Portugal | View |
| Carlos Gouveia, Marta Alexandre, Fausto Caels | |||
| Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Where Will It End? An Introduction | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Violence, Conspiracies, and New Religions | 9. Director’s Cu(l)ts, Reel Researchers: Exploring Sects in the Movies | View |
| Stefano Bigliardi, Abdelmojib Chouhbi, Mohamed Amine Ghafil, Amine Nakari, Danya Tazi Mokha, Salma Zahidi | |||
| The Development of Scientific Writing | View | ||
| David Banks | |||
| Impoliteness in Corpora | View | ||
| Hatice Çelebi | |||
| Muslim Qur’anic Interpretation Today | View | ||
| Johanna Pink | |||
| A Multimodal Analysis of Picture Books for Children | View | ||
| Arsenio Jesús Moya Guijarro | |||
| Encyclopedia of Film Music and Sound | View | ||
| Mark Evans | |||
| Multimodal Corpus-Based Approaches to Website Analysis | View | ||
| Anthony Baldry, Kay O'Halloran | |||
| Language in Action | View | ||
| María Estela Brisk, Mary J. Schleppegrell, Anna-Vera Meidell Sigsgaard, Susanne Karen Jacobsen, Gloriana Gonzalez, Ruth Mulvad, Natalia Ignatieva, Daniel Rodríguez-Vergara, Victoria Zamudio Jasso, Julio César Valerdi Zárate, Hailing Yu, Canzhong Wu, Marina Manfredi, Silvia Pessoa, Thomas D. Mitchell, Aaron Jacobson , Carrie Symons | |||
| Representations of Antiquity in Film | View | ||
| Kevin M. McGeough | |||
| She’s at the Controls | View | ||
| Helen Reddington | |||
| Text Linguistics | View | ||
| M.A.K. Halliday †, Jonathan J. Webster | |||
| Dialogue in Focus Groups | View | ||
| Ivana Markova, Per Linell, Michele Grossen, Anne Salazar Orvig | |||
| Drawn to Sound | View | ||
| Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki | |||
| Muslim Qur’ānic Interpretation Today | View | ||
| Johanna Pink | |||
| Verbal Art: A Social Semiotic Perspective | View | ||
| Ruqaiya Hasan†, Jonathan J. Webster, David Butt | |||
| Vernacular Knowledge | View | ||
| Ülo Valk, Marion Bowman, Elo-Hanna Seljamaa, Alexandra Arkhipova, Anastasiya Astapova, Irina Sadovina, Ruth Illman, James Kapaló, Melanie Landman, Martin Oran Wood, Leonard Norman Primiano, Valentina Punzi, Robert Glenn Howard, Kirsi Hänninen , Kristel Kivari, Steven J. Sutcliffe, Paul Cowdell, Margaret Lyngdoh, Alevtina Solovyova, Reep P. Lepcha | |||
| Historical Linguistics and the History of English | View | ||
| Michael Cummings | |||
| Persuade Me! | View | ||
| Sally Humphrey | |||
| Dancehalls, Glitterballs and DJs | View | ||
| Bruce Lindsay | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Equinox eBooks Publishing | Hijacked | 8. The Strange and Familiar Spiritual Journey of Reza Aslan | View |
| Martha Smith Roberts | |||
| Writing & Pedagogy | Vol 4 No. 2 (2012) | Detecting the Creative in Written Discourse | View |
| Sky Marsen | |||
| Writing & Pedagogy | Vol 6 No. 3 (2014) | Middle School Students’ Reading Responses A Linguistic Perspective | View |
| Zhihui Fang, Richard E. Ferdig, Zhijun Wang, Brian K. Trutschel | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| Journal of Research Design and Statistics in Linguistics and Communication Science | Vol 5 No. 1-2 (2018) | A Case Study on Some Frequent Concepts in Works of Poetry | View |
| Michael Thomas Pace-Sigge | |||
| Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | “I am not a qualified dialect rapper”: constructing hip-hop authenticity in China | View |
| Xuan Wang | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube | View |
| Simone Pereira de Sá, Simone Evangelista Cunha | |||
| Writing & Pedagogy | Vol 2 No. 1 (2010) | Chained and Confused: Teacher Perceptions of Formulaic Writing | View |
| Amy A. Lannin, Roy F. Fox | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Rock opera and resistance: Stephen, the King as a building block of minority ethnic identity in Transylvania and the United States | View |
| Imola Bülgözdi, Zsófia O. Réti | |||
| Writing & Pedagogy | Vol 8 No. 1 (2016) | English for Specific Academic Purposes (ESAP) Writing: Making the case | View |
| John Flowerdew | |||
| Equinox eBooks Publishing | New Age in Norway | Bad, Banal and Basic. New Age in the Norwegian News Press and Entertainment Media | View |
| Siv Ellen Kraft | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Implicit Religion | Vol 19 No. 3 (2016) | Survivor, Warrior, Mother, Savior: The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War | View |
| George Faithful | |||
| Popular Music History | Vol 9 No. 3 (2014) | Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 | View |
| Rebecca S. Miller | |||
| Religions of South Asia | Vol 7 No. 1-3 (2013) Vol. 7, No. 1/No. 2 (Double) 2013 | Winged Messengers, Feathered Beauties and Beaks of Divine Wisdom: The Role of Birds in Hindi-Urdu Allegorical Love Stories | View |
| Thomas Dähnhardt | |||
| Implicit Religion | Vol 14 No. 2 (2011) | There and Back Again: Transhumanist Evangelism in Science Fiction and Popular Science | View |
| Robert M. Geraci | |||
| Linguistics and the Human Sciences | Vol 8 No. 3 (2012) | Grammatical variation in English worldwide: the role of colloquialization | View |
| Peter Collins | |||
| International Journal of Speech Language and the Law | Vol 28 No. 1 (2021) | A study of psycho-correction discourse in community correction under restorative justice from the perspective of individuation | View |
| Jie Zheng | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
| Jan Harm Schutte | |||
| CALICO Journal | Vol 33 No. 2 (2016) | Digital Stories in L2 Education: Overview | View |
| Ana Oskoz, Idoia Elola | |||
| Linguistics and the Human Sciences | Vol 7 No. 1-3 (2011) | Joint Construction in the SLATE project | View |
| Shoshana Dreyfus, Lucy Macnaught | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
| William H. Rosar | |||
| Bulletin for the Study of Religion | Vol 45 No. 2 (2016) | True Stories and the Poetics of Textual Discovery | View |
| Eva Mroczek | |||
| Implicit Religion | Vol 17 No. 4 (2014) | The Speed of Belief: Religion and Science Fiction, an Introduction to the Implicit Religions of Science Fiction | View |
| Kimberly Rae Connor | |||
| Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | Not-So-Sacred Quests: Religion, Intertextuality and Ethics in Videogames | View |
| Mark Cameron Love | |||
| Linguistics and the Human Sciences | Vol 10 No. 3 (2014) | Judge’s Persuasive Language in a Chinese Civil Case: A SFL Perspective | View |
| Wang Zhenhua | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Buddhist Studies Review | Vol 33 No. 1-2 (2016) | Introduction: Reuse and Intertextuality in the Context of Buddhist Texts | View |
| Elisa Freschi, Cathy Cantwell | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Religions of South Asia | Vol 5 No. 1/5.2 (2011) Genealogy and History in South Asia | Between History and Divine Plan: The Mahābhārata’s Royal Patriline in Context | View |
| Alf Hiltebeitel | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 4 No. 3 (2008) | Images and Reflections of the Spiritual Self in Christopher Isherwood’s Narratives | View |
| Mario Faraone | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 3 (2010) | Virtual Nature: Environmentalism in Two Multi-player Online Games | View |
| William Sims Bainbridge | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Writing & Pedagogy | Vol 9 No. 1 (2017) Special Issue: Orality and Literacy in the 21st Century: Prospects for Writing and Pedagogy | Drawing from, reworking and contesting classroom meanings: Repetition as a voicing tool in 6th grade students’ argumentative texts | View |
| Triantafillia Kostouli, Marios Stylianou | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 8 No. 1-2 (2012) | On Instant Scripture and Proximal Texts: Some Insights into the Sensual Materiality of Texts and their Ritual Roles in the Hebrew Bible and Beyond | View |
| Christian Frevel | |||
| Sociolinguistic Studies | Vol 3 No. 1 (2009) | Coming-out stories and the 'gay imaginary' | View |
| Andrew Wong | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Continuity of Melos: Beginnings to the Present Day | View |
| Anne Dhu McLucas | |||
| Gender and Language | Vol 11 No. 4 (2017) Special issue: Globalisation, modernity and enregisterment in contemporary East Asia | Sociolinguistics of gender/sexual stereotyping: a transnational perspective | View |
| Michelle M. Lazar | |||
| Equinox eBooks Publishing | Sounds Icelandic | Acknowledgments | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Sounds Icelandic | Notes | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Sounds Icelandic | Introduction | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Sounds Icelandic | Index | View |
| Þorbjörg Hall , Nicola Dibben, Árni Ingólfsson , Tony Mitchell | |||
| Equinox eBooks Publishing | Extending Research Horizons in Applied Linguistics | The Four Perspectives Model for Psychological/Psychiatric Case Formulations in Analysing the Discourse of Clinical-diagnostic Case Reporting | View |
| Magdalena Zabielska | |||
| Dub in Babylon | View | ||
| Christopher Partridge | |||
| Who Do We Think They Are? | View | ||
| Andy R. Brown, Kevin Fellezs, Gérôme Guibert, Dietmar Elflein, Francesca Stevens, Esa Lilja, Gareth Heritage, Dawn Hazle, James Dickinson, Simon Poole, Titus Hjelm, Jan-Peter Herbst, Steve Waksman, Kevin Ebert, Catherine Rudent | |||
| Linguistics and the Human Sciences | Vol 13 No. 3 (2017) Special Issue: Free Linguistics Proceedings 2016 | Complexity of English textbook language: A systemic functional analysis | View |
| Vinh Thi To, Ahmar Mahboob | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Equinox eBooks Publishing | Muslim Qur’anic Interpretation Today | Reconstituting the Exegetical Tradition | View |
| Johanna Pink | |||
| Equinox eBooks Publishing | Muslim Qur’anic Interpretation Today | Modernity and its Paradigms | View |
| Johanna Pink | |||
| Equinox eBooks Publishing | Constructing Data in Religious Studies | 16. Labor: Finding the Devil in Indiana Jones: Mythologies of Work and the State of Academic Labor | View |
| James LoRusso | |||
| Equinox eBooks Publishing | She’s at the Controls | Acknowledgements | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She’s at the Controls | Bibliography | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She’s at the Controls | Index | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | The Use and Dissemination of Religious Knowledge in Antiquity | 4. The Production and Dissemination of Knowledge within the Qumran Community | View |
| David Hamidovic | |||
| Equinox eBooks Publishing | Thunder in their Hearts | South Africa: Jazz, Apartheid, King Kong | View |
| Francis Gooding | |||
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