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| Journal | Issue | Title | |
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | Looking to the East: Freemasonry and British Orientalism | View |
| Simon Deschamps | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) | View |
| Anthony Bushard | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
| Tomoko Deguchi | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" | View |
| David Cooper, Ian Sapiro | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island | View |
| Philip Hayward, John Fangjun Li | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
| Shane Homan | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Emo online: networks of sociality/networks of exclusion | View |
| Rosemary Overell | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung | View |
| James Mitchell | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 13 No. 1 (2012) | ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations | View |
| Katelyn Barney | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
| Paul Oldham | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs | View |
| Julie Rickwood | |||
| Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
| Rachael Gorham, Arielle Nakache | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup | View |
| Annie Girodo, Janine Payoe | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Perfect Beat | Vol 3 No. 2 (1997) | CITING THE SOUND - New Zealand lndie Rock in North America | View |
| GEOFF STAHL | |||
| Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
| DAVID GOLDSWORTHY | |||
| Perfect Beat | Vol 2 No. 4 (1996) | QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA | View |
| DON NILES | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
| JULIA KNIGHT | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
| COLIN MCLEAY | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
| KEITH NEGUS | |||
| Journal of Interactional Research in Communication Disorders | Vol 1 No. 2 (2010) | The evidence for relationship-centred practice in aphasia rehabilitation | View |
| Linda Worrall, Bronwyn Davidson, Deborah Hersh, Alison Ferguson, Tami Howe, Sue Sherratt | |||
| Journal of Interactional Research in Communication Disorders | Vol 2 No. 1 (2011) | The Negotiation of Footing and Participation Structure in a Social Group of Teens with and Without Autism Spectrum Disorder | View |
| Kristen Bottema-Beutel | |||
| Journal of Interactional Research in Communication Disorders | Vol 3 No. 2 (2012) | ‘Planning’ talk and traumatic brain injury: An exploratory application of conversation analysis | View |
| Scott Edward Barnes | |||
| Journal of Interactional Research in Communication Disorders | Vol 5 No. 2 (2014) | Aspects of rating communicative interaction: Effects on reliability and agreement | View |
| Karin Eriksson, Sara Bergström, Emilia Carlsson, Lena Hartelius, Charlotte Johansson, Anneli Schwarz, Charlotta Saldert | |||
| Journal of Interactional Research in Communication Disorders | Vol 7 No. 1 (2016) . | Video Recording as a Tool for Assessing Children’s Everyday Use of Features Targeted in Phonological Intervention | View |
| Christina Samuelsson, Inger Lundeborg, Charlotta Plejert | |||
| Journal of Interactional Research in Communication Disorders | Vol 7 No. 1 (2016) . | Intact reported speech use in traumatic brain Injury: How to think about ‘intact’ performance in the context of heterogeneity | View |
| Natalie Covington, Melissa Duff | |||
| Journal of Interactional Research in Communication Disorders | Vol 7 No. 1 (2016) . | Swearing after Traumatic Brain Injury: A Linguistic Analysis | View |
| Louise C. Keegan, Holly McAdam | |||
| Journal of Interactional Research in Communication Disorders | Vol 7 No. 1 (2016) . | Speech naturalness ratings and perceptual correlates of highly natural and unnatural speech in hypokinetic dysarthria secondary to Parkinson’s disease | View |
| Marie Klopfenstein | |||
| Bulletin for the Study of Religion | Vol 41 No. 4 (2012) | Historical Cookbooks in the Study of American Religion | View |
| Emily Bailey | |||
| Bulletin for the Study of Religion | Vol 43 No. 3 (2014) | "Can I Have Your Autograph?" On Thinking about Pauline Authorship and Pseudepigraphy | View |
| Gregory P. Fewster | |||
| PentecoStudies | Vol 8 No. 1 (2009) | The Florida ‘Outpouring’ Revival: A Melting Pot for Contemporary Pentecostal Prophecy and Eschatology? | View |
| Stephen Hunt | |||
| PentecoStudies | Vol 9 No. 2 (2010) | The Past in Angolan Migrants' Conversion Narratives: Silence | View |
| Regien Smit | |||
| PentecoStudies | Vol 10 No. 1 (2011) | Modernity and the Arrival of Pentecostalism in Britain | View |
| William K. Kay | |||
| PentecoStudies | Vol 10 No. 1 (2011) | Missing Links: Phoebe Palmer, Carrie Judd Montgomery, and Holiness Roots within Pentecostalism | View |
| Jennifer A. Miskov | |||
| PentecoStudies | Vol 11 No. 1 (2012) | Spirit Baptism, Socialization and Godly Love in the Church of God (Cleveland, TN) | View |
| Kimberley Ervin Alexander, James P. Bowers, Mark J. Cartledge | |||
| PentecoStudies | Vol 12 No. 1 (2013) | The Variety of Holy Spirit Possession: Considering Cohen’s Executive and Pathogenic Possession for the Pentecostal Context | View |
| Jonathan Burrow-Branine | |||
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