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| Journal | Issue | Title | |
| Perfect Beat | Vol 2 No. 1 (1994) | DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP | View |
| IAN MAXWELL, NIKKI BAMBRICK | |||
| Essays in the Philosophy of Humanism | Vol 20 No. 2 (2012) VOL 20 (2) 2012 | Henry Ford: The Visionary Humanist | View |
| Alistair J. Sinclair | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| CALICO Journal | Vol 17 No. 2 (2000) | Technology Integration into Preservice Foreign Language Teacher Education Programs | View |
| Siegrun Wildner | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 6 No. 1 (2015) | Crossing Gender and Colour Lines in American Fraternalism: A Study on Joseph W. Kinsley (1843–1905) | View |
| Jeffrey Tyssens | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | From Holy Harlot to Passionate Penitent: Mary Magdalene in Cecil B. DeMille’s The King of Kings (1927) | View |
| Anton Karl Kozlovic | |||
| Implicit Religion | Vol 14 No. 2 (2011) | Boots, Indecency, and Secular Sacred Spaces: Implicit Religious Motives Underlying an Aspect of Airline Dress Codes | View |
| Andrew Wilson | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Muslim Martyrs and Pagan Vampires: Popular Video Films and the Propagation of Religion in Northern Nigeria | View |
| Matthias Krings | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Journal of Islamic Archaeology | Vol 3 No. 2 (2016) The Sphero-conical vessel: Name, object and usage | Sphero-conical Vessels from Baalbek: A Diverse and Challenging Collection | View |
| Valentina Vezzoli | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | The Archaeology of the Digital Periphery: Computer Mice and the Archaeology of the Early Digital Era | View |
| Gareth Beale, John Schofield, Jim Austin | |||
| CALICO Journal | Vol 25 No. 2 (2008) | A Hybrid of a CBT- and a CAT-based New English Placement Test Online (NEPTON) | View |
| Salomi Papadima-Sophocleous | |||
| International Journal of Speech Language and the Law | Vol 19 No. 2 (2012) | Language, space and the law: a study of directive signs | View |
| Gerlinde Mautner | |||
| Linguistics and the Human Sciences | Vol 4 No. 3 (2008) | Review: Cienki, A. and C. Muller (eds) (2008) Metaphor and Gesture. Amsterdam/ Philadelphia, PA: Benjamins. | View |
| Radan Martinec | |||
| Linguistics and the Human Sciences | Vol 4 No. 3 (2011) Latest Reviews June 2011 | Cienki, A. and C. Muller (eds) (2008) Gesture and Metaphor Amsterdam/ Philadelphia, PA: Benjamins. | View |
| Radan Martinec | |||
| CALICO Journal | Vol 34 No. 1 (2017) | The Effects of Captions on EFL Learners’ Comprehension of English-Language Television Programs | View |
| Michael P. H. Rodgers, Stuart Webb | |||
| Implicit Religion | Vol 22 No. 1 (2019) | There is No Religion in the Bible | View |
| Naomi R. Goldenberg | |||
| Sociolinguistic Studies | Vol 14 No. 4 (2020) | Call center agents’ skills: Invisible, illegible, and misunderstood | View |
| Johanna Tovar | |||
| Perfect Beat | Vol 1 No. 2 (1993) | BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES | View |
| Chris Lawe Davies | |||
| CALICO Journal | Vol 27 No. 3 (2010) | Bridging CALL & HCI: Input from Participatory Design | View |
| Monica S. Cardenas-Claros, Paul A. Gruba | |||
| CALICO Journal | Vol 7 No. 2 (1989) | Interactions Audio-Visuelles, Videodisc and Hypercard for Students of French at Ventura College, California | View |
| Alice Slaton | |||
| Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
| Alan Stanbridge | |||
| Equinox eBooks Publishing | About Edom and Idumea in the Persian Period | 1. The Complexity of a Site: “Edom” in Persian Period from the Perspectives of Historical Research, Hebrew Bible Studies and Ancient Near Eastern Studies | View |
| Benedikt Hensel | |||
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