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Journal | Issue | Title | |
Comparative Islamic Studies | Vol 10 No. 1 (2014) | Space Law, Shariʿa, and the Legal Place of a Scientific Enterprise: The Case for a Parallel Challenge of Sovereignty | View |
Haris A. Durrani | |||
Buddhist Studies Review | Vol 29 No. 2 (2012) | Dabba’s Self-cremation in the Saṃyukta-āgama | View |
Bhikkhu Analayo | |||
Gender and Language | Vol 12 No. 2 (2018) | Postfeminism – for whom or by whom? Applying discourse analysis in research on the body and beauty (the case of black hair) | View |
Ewa Glapka | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | Imaging Modern Decay: The Aesthetics of Ruin Photography | View |
Þóra Pétursdóttir, Bjørnar Olsen | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | Returning to Ruin Photography | View |
Þóra Pétursdóttir, Bjørnar Olsen | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | Multi-sensual Image and the Archaeological Gaze | View |
Tim Edensor | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | Imagining Ruin Images: The Aesthetics of Ruination | View |
Paul R. Mullins | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | Profane Archaeologies: Erotic Ruins and a Case for Pornography | View |
Angela Piccini | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | The Politics of (Ruin) Photography | View |
Anca M. Pusca | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | Ruin Photography as Archaeological Method: A Snapshot from Detroit | View |
Krysta Ryzewski | |||
Journal of Contemporary Archaeology | Vol 1 No. 1 (2014) Vol 1, No 1 (2014) | Archaeology's Aesthetics | View |
Michael Shanks | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
Robynn J. Stilwell | |||
Equinox eBooks Publishing | Key Categories in the Study of Religion | 5. Paper Terrorism as Counter-Conduct | View |
Michael McVicar | |||
Equinox eBooks Publishing | Key Categories in the Study of Religion | 1. Paper Terrorism: Religion, Paperwork, and the Contestation of State Power in the “Sovereign Citizen” Movement | View |
Michael McVicar | |||
Equinox eBooks Publishing | Key Categories in the Study of Religion | 2. The Rohingya, Buddhism, and the Category "Religion" | View |
Tenzan Eaghll | |||
Equinox eBooks Publishing | Key Categories in the Study of Religion | 4. The Material Production of Otherworldly Citizenship: From Paper to Digital Files to Bodies | View |
Lauren Griffin | |||
Equinox eBooks Publishing | Key Categories in the Study of Religion | 3. Citizenship, Religion, and the Frailty of Secular Sovereignty | View |
Daniel Miller | |||
Equinox eBooks Publishing | On the Subject of Religion | 10. Private Money and the Study of Religions: Problems, Perils, and Possibilities | View |
Gregory Alles | |||
Equinox eBooks Publishing | On the Subject of Religion | 11. Response: Drugs, Dog Chow, and Dharma | View |
Michael Altman | |||
Equinox eBooks Publishing | On the Subject of Religion | 12. Response: Between Wittgenstein and Zuckerberg: Selling the Academic Study of Religion in a Buyer’s Market | View |
John McCormack | |||
Equinox eBooks Publishing | On the Subject of Religion | 13. Response: Religious Studies: A Pawn in the Culture Wars | View |
Natalie Avalos | |||
Implicit Religion | Vol 19 No. 1 (2016) | A Phoney Holy War: Reflections on the Myth of Spiritual Revolution | View |
William J. F. Keenan | |||
Comparative Islamic Studies | Vol 7 No. 7.1-7.2 (2011) Vol 7, no 1-2 (2011) | Chasing the Rising Red Crescent: Sino-Shi’i Relations in Post-Cold War Era China | View |
Itamar Y. Lee | |||
Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
Noel McLaughlin | |||
Perfect Beat | Vol 1 No. 4 (1994) | STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate | View |
Michael Pickering, Roy Shuker | |||
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