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| Journal | Issue | Title | |
| Communication & Medicine | Vol 10 No. 2 (2013) | The multiple meanings of ‘disability’ in interviews with amputees | View |
| Emily Heavey | |||
| Communication & Medicine | Vol 10 No. 2 (2013) | Experience of suicidal thoughts: A discourse analytic study. | View |
| Dariusz Galasiński, Justyna Ziółkowska | |||
| Communication & Medicine | Vol 11 No. 1 (2014) | Strategies of persuasion in offers to participate in cancer clinical trials I: Topic placement and topic framing | View |
| Ellen Barton, Susan Eggly, Andrew Winckles, Terrance L. Albrecht | |||
| Communication & Medicine | Vol 11 No. 1 (2014) | Accounts of consent: Orienting to self-other relations regarding motivations to participate in cancer bio-banking | View |
| Hannah Shipman, Srikant Sarangi, Angus J. Clarke | |||
| Communication & Medicine | Vol 11 No. 1 (2014) | Treating without diagnosis: Psychoanalysis in medical settings in Argentina | View |
| Juan Eduardo Bonnin | |||
| Communication & Medicine | Vol 11 No. 2 (2014) | Homework setting in cognitive behavioral therapy: A study of discursive strategies | View |
| Andrew Beckwith, Jonathan Crichton | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 1 (2012) | Report from Doctoral Students Study Day UCL, London | View |
| Andrew Pink, Harriet Sandvall | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | Hidden in Plain Sight: The Order of the Eastern Star in the Historiography of American Women’s Associations | View |
| Susan Sommers | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | The Manchurian Candidate (1962): An Interview with David Amram | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) | View |
| Yayoi Uno Everett | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
| Eugene Dairianathan | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Whose home; which island?: displacement and identity in ‘My Island Home’ | View |
| Jon Stratton | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs | View |
| Julie Rickwood | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
| MELISSA BATTERSBY, MERET VALTWIES | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
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