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| Journal | Issue | Title | |
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Find Your Voice: Narratives of Women’s Voice Loss in American Cinema | View |
| Katherine Meizel | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
| Eric Hung | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. | View |
| Bradford Lee Eden | |||
| Journal of Skyscape Archaeology | Vol 5 No. 1 (2019) | Nicholas Campion and Chris Impey, editors, Imagining Other Worlds: Explorations in Astronomy and Culture. Studies in Cultural Astronomy and Astrology 9. With a foreword by Martin Rees, Lord Rees of Ludlow, Astronomer Royal. | View |
| Michael A. Rappenglück | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 3 (2010) | Victor J. Stenger, God: The Failed Hypothesis: How Science Shows that God Does Not Exist (New York: Prometheus Books, 2008), 310 pp., $18.95 (pbk), ISBN: 978-1-59102-652-5. Review doi: 10.1558/jsrnc.v4i3.231. | View |
| Thomas Aechtner | |||
| Religions of South Asia | Vol 6 No. 1 (2012) | Reading Against the Orientalist Grain: Performance and Politics Entwined with a Buddhist Stain, by Syed Jamil Ahmed. Kolkata, India: Anderson Printing House Pvt. Ltd. (www. andersonindia.com ), 2008. xv + 357pp. ISBN: 978-8-190671-90-3. Rs. 1500. | View |
| Geoffrey Samuel | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Stroud, Sean. 2008. The Defence of Tradition in Brazilian Popular Music. Hampshire: Ashgate. ISBN 978-0-7546-6343-0 (hbk). 215 pp | View |
| Flavia Lucia Rubini-Lean | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan | View |
| Mark Evans | |||
| Journal for the Academic Study of Religion | Vol 29 No. 1 (2016) | Kermani, Navid, God Is Beautiful: The Aesthetic Experience of the Quran, trans. Tony Crawford. Polity Press, Cambridge, 2015, pp. 464, ISBN: 9780745651675 | View |
| George Archer | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) | View |
| Rob Bowman | |||
| PentecoStudies | Vol 16 No. 1 (2017) | ROBECK, Jr., Cecil M. and Amos YONG (eds), The Cambridge Companion to Pentecostalism. New York: Cambridge University Press, 2014. ix+340pp. Pbk. ISBN: 9780521188388. US$29.99. | View |
| Allan H. Anderson | |||
| Buddhist Studies Review | Vol 34 No. 1 (2017) | Dancing with Dharma: Essays on Movement and Dance in Western Buddhism edited by Harrison Blum | View |
| Deborah Middleton | |||
| Health and Social Care Chaplaincy | Vol 7 No. 1 (2019) | Gordon Hilsman, How to Get the Most Out of Clinical Pastoral Education: A CPE Primer | View |
| Margaret Whipp | |||
| Gender and Language | Vol 6 No. 1 (2012) | The days of our lives: Language, gender and affluence on a daytime television drama | View |
| Robin Queen | |||
| CALICO Journal | Vol 21 No. 2 (2004) | On the Applicability of the Input-enhancement Hypothesis and Input Processing Theory in Multimedia CALL: The Case of Spanish Preterite and Imperfect Instruction in an Input Application | View |
| Fenfang Hwu | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | View |
| ALINE SCOTT-MAXWELL | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Self Borrowing in the Music of Bernard Herrmann | View |
| William Wrobel | |||
| Popular Music History | Vol 1 No. 1 (2004) | "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s | View |
| Toru Mitsui | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz | View |
| Elijah Wald | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Philip Furia and Laurie Patterson. The Songs of Hollywood | View |
| Jennifer L. Roth-Burnette | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| International Journal for the Study of New Religions | Vol 1 No. 2 (2010) | Sacred Australia: Post-Secular Considerations, edited by Makarand Paranjape. Clouds of Magellan, 2009. xiii + 311pp., pb. AUD $39.95, ISBN-13: 9780980298390. | View |
| Eric Repphun | |||
| Religious Studies and Theology | Vol 37 No. 1 (2018) | Safeguarding the Unity: The History of the Interpretation of נִגְלוּ in Genesis 35:7 | View |
| Matthew Oseka | |||
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