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Religions of South Asia Vol 7 No. 1-3 (2013) Vol. 7, No. 1/No. 2 (Double) 2013 The Silent Killer: The Ass as Personification of Illness in North Indian Folklore View
Fabrizio M. Ferrari
 
Religions of South Asia Vol 7 No. 1-3 (2013) Vol. 7, No. 1/No. 2 (Double) 2013 Patrick Olivelle, Janice Leoshko and Himanshu Prabha Ra (eds), Reimagining Asoka: Memory and History. New Delhi: Oxford University Press, 2012. xiv + 450pp. INR2065.00. ISBN 0-19-807800-5 (hardback). View
Ananda W. P. Guruge
 
Jazz Research Journal Vol 6 No. 2 (2012) Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. View
Mark Doffman
 
Jazz Research Journal Vol 9 No. 1 (2015) Bruce Epperson, More Important than the Music: A History of Jazz Discography. Chicago: University of Chicago Press, 2013. xvi + 284 pp. ISBN 978-0-226- 06753-7 (hbk). $45.00 View
Maristella Feustle
 
Writing & Pedagogy Vol 2 No. 2 (2010) Academic Writing and Plagiarism: A Linguistic Analysis. Diane Pecorari (2008) London: Continuum. pp. 213 ISBN: 978–08264–9166–4 View
Virginia Lo Castro
 
Writing & Pedagogy Vol 4 No. 1 (2012) “Does this Mean We’re Cyborgs Too?”: Teaching Multimedia Memoir to English Majors View
Sara P. Hillin
 
Writing & Pedagogy Vol 4 No. 2 (2012) Keeping the Creative Pipes from Freezing: An Essay on Creativity View
Martha Silano
 
Writing & Pedagogy Vol 4 No. 2 (2012) How to Write an Earthquake/Comment écrire/Mou pou 12 Janvye edited by Beaudelaine Pierre and Nataša Durovicová (2012) Iowa City, Iowa: Autumn Hill Books. pp. 124 978-0984303670 View
Sonya Huber
 
Writing & Pedagogy Vol 6 No. 3 (2014) The Impact of Social Networking and a Multiliteracies Pedagogy on English Language Learners’ Writer Identities View
Janette Michelle Hughes, Laura Morrison
 
Writing & Pedagogy Vol 7 No. 1 (2015) Literacy as Translingual Practice: Between Communities and Classrooms A. Suresh Canagarajah (ed.) (2013) London and New York, Routledge. pp. 256 ISBN-13, 978-0415524674 View
Peter I. De Costa
 
Communication & Medicine Vol 8 No. 1 (2011) Interdisciplinary Research on Patient-Provider Communication: A Cross-Method Comparison View
Wen-ying Sylvia Chou, Paul Han, Alison Pilsner, Kisha Coa, Larrie Greenberg, Benjamin Blatt
 
Communication & Medicine Vol 8 No. 3 (2011) Interaction Order and Anxiety Disorder: A “Batesonian” Heuristic of Speaking Patterns during Psychotherapy View
Jürgen Streeck
 
Communication & Medicine Vol 9 No. 1 (2012) Exploring lexical gaps in Australian Sign Language for the purposes of health communication View
George Major, Jemina Napier, Lindsay Ferrara, Trevor Johnston
 
Communication & Medicine Vol 9 No. 1 (2012) Supportive interchanges and face-work as ‘protective talk’ in an online self-harm support forum View
Siobhan Sharkey, Janet Smithson, Elaine Hewis, Ray Jones, Tobit Emmens, Tamsin Ford, Christabel Owens
 
Communication & Medicine Vol 10 No. 3 (2013) Causal accounts as a consequential device in categorizing mental health and substance abuse problems View
Suvi Maaria Raitakari, Kirsi Günther, Kirsi Juhila, Sirpa Saario
 
Communication & Medicine Vol 11 No. 2 (2014) The collective voice: Legitimation strategies in focus group discussions with nurses in municipal palliative care for older people in Sweden View
Henrik Rahm, Magdalena Andersson, Anna-Karin Edberg
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks View
Jon Burlingame
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Journal of Film Music Vol 2 No. 1 (2007) “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) View
Anthony Bushard
 
Journal of Film Music Vol 2 No. 2-4 (2009) Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. View
Christine Lee Gengaro
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) View
Yayoi Uno Everett
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis View
Patrick Wood
 
Journal of Film Music Vol 6 No. 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier View
Mark Durrand
 
Perfect Beat Vol 12 No. 1 (2011) Introduction: Asian modernities, musical traditions and strategies of engagemen View
Adrian McNeil
 
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