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| Journal | Issue | Title | |
| Journal for the Academic Study of Religion | Vol 22 No. 1 (2009) | Disability from a Christian Gospel Perspective | View |
| Graeme Watts | |||
| Journal for the Academic Study of Religion | Vol 25 No. 1 (2012) | The Perception of References to Disability in the Bible | View |
| Graeme Watts | |||
| Comparative Islamic Studies | Vol 4 No. 4.1 / 4.2 (2008) | The Question of Authority: Deracinating Race, Repositioning Religion, and Regenerating Gender in the History of African American Islam | View |
| Rosemary Hicks | |||
| Fieldwork in Religion | Vol 5 No. 2 (2010) | Fieldwork on East Asian Buddhism: Toward a Person-Centered Approach | View |
| Gareth Fisher | |||
| Fieldwork in Religion | Vol 7 No. 2 (2012) | “I’m just aware they’re labels”: Researching Western Buddhist Practices of Gender and Sexual Identification | View |
| Sharon Smith | |||
| Gender and Language | Vol 6 No. 1 (2012) | The performance of gender as reflected in American evidence rules: Language, power, and the legal construction of liability | View |
| Janet Ainsworth | |||
| Implicit Religion | Vol 15 No. 2 (2012) | Humanitarian Physicians’ Views on Spirituality | View |
| Helen Meldrum | |||
| International Journal of Speech Language and the Law | Vol 11 No. 1 (2004) | The 'Mobile Phone Effect' on vowel formants | View |
| Catherine Byrne, Paul Foulkes | |||
| International Journal of Speech Language and the Law | Vol 10 No. 1 (2003) | Review article: Forensic Speaker Identification by P. Rose | View |
| Martin Jessen | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Perfect Beat | Vol 15 No. 1 (2014) | German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? | View |
| Andrew Wright Hurley | |||
| Perfect Beat | Vol 4 No. 4 (2000) | BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola | View |
| ELIZABETH MACKINLAY | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Journal of Applied Linguistics and Professional Practice | Vol 1 No. 3 (2004) JAL Vol 1, No 3 (2004) | Coping with change in applied linguistics | View |
| David Crystal, Christopher Brumfit | |||
| Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | Archaeology and the New Materialisms | View |
| Christopher Witmore | |||
| Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | Material and Cognitive Dimensions of Archaeological Evidence | View |
| Matt Edgeworth | |||
| Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | The Asymmetries of Symmetrical Archaeology | View |
| Ian Hodder | |||
| Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | Is There Life Amidst the Ruins? | View |
| Tim Ingold | |||
| Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | Old and New Materialisms | View |
| Marisa Lazzari | |||
| Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | Confronting Things | View |
| Christopher Witmore | |||
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