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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 1 No. 2 (2007) | The parallax of art and commerce: UK jazz musicians on marketing | View |
| Michael James Macaulay | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire | View |
| Chloé Meyzie | |||
| Writing & Pedagogy | Vol 2 No. 2 (2010) | Not (Entirely) in Their Own Words: Plagiarism, Process, and the Complicated Ethics of School Writing | View |
| Cary Moskovitz | |||
| Writing & Pedagogy | Vol 3 No. 1 (2011) | Writing in a Multiliterate Flat World, Part II: Finding Audiences through Tagging and Aggregation | View |
| Vance Stevens | |||
| Writing & Pedagogy | Vol 4 No. 2 (2012) | Examining "Small c" Creativity in the Writing Classroom | View |
| Dorothea Lasky | |||
| Writing & Pedagogy | Vol 5 No. 1 (2013) | Templated Pedagogy: Factors Affecting Standardized Writing Pedagogy with Online Learning Management Systems | View |
| Dirk Remley | |||
| Writing & Pedagogy | Vol 6 No. 3 (2014) | Who Wins? First Grade Authors Do! | View |
| Rebecca G Harper | |||
| Communication & Medicine | Vol 5 No. 1 (2008) | In defense of ethically caring physicians | View |
| Matthew S. McCabe | |||
| Communication & Medicine | Vol 6 No. 2 (2009) | Chinese mental illness narratives: Controlling the spirit | View |
| Guy Ramsay | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 1 (2010) | Freemasonry in Barbados, Trinidad and Grenada: British or Homemade? | View |
| Cécile Révauger | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
| Michael V. Pisani | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. | View |
| Theo Van Leeuwen | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
| Tim Sowden | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
| Andrew Murphie | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins | View |
| Mark Brown | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY | View |
| GEORGE H. LEWIS | |||
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