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Journal for Research into Freemasonry and Fraternalism Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry ‘Its members are of all sorts…’, the Male Element of Early Co-freemasonry in England View
Diane Clements
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 1 (2014) Freemasonry and Empire Freemasonry and slavery in the British Empire View
Cecile Revauger
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) Looking to the East: Freemasonry and British Orientalism View
Simon Deschamps
 
Journal of Film Music Vol 2 No. 1 (2007) “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) View
Anthony Bushard
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns View
Michael Beckerman, William H. Rosar
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) View
Yayoi Uno Everett
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Perfect Beat Vol 11 No. 2 (2010) Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island View
Philip Hayward, John Fangjun Li
 
Perfect Beat Vol 11 No. 2 (2010) Emo online: networks of sociality/networks of exclusion View
Rosemary Overell
 
Perfect Beat Vol 12 No. 1 (2011) Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung View
James Mitchell
 
Perfect Beat Vol 14 No. 2 (2013) Youth, radio and Australian popular music policy View
Chris K. Wilson
 
Perfect Beat Vol 14 No. 2 (2013) ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity View
Paul Oldham
 
Perfect Beat Vol 1 No. 1 (1992) CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave View
Philip Hayward
 
Perfect Beat Vol 1 No. 3 (1993) SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup View
Annie Girodo, Janine Payoe
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Perfect Beat Vol 3 No. 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song View
PETER DUNBAR-HALL
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Perfect Beat Vol 2 No. 4 (1996) THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll View
PETER COX
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Journal of Interactional Research in Communication Disorders Vol 1 No. 2 (2010) The communicative intent of stuttered utterances View
Courtney Timpson Byrd, Geoff Coalson, Clara Bush
 
Journal of Interactional Research in Communication Disorders Vol 3 No. 2 (2012) ‘Planning’ talk and traumatic brain injury: An exploratory application of conversation analysis View
Scott Edward Barnes
 
Bulletin for the Study of Religion Vol 45 No. 2 (2016) Finding Early Christian Books at Nag Hammadi and Beyond View
Brent Nongbri
 
Bulletin for the Study of Religion Vol 45 No. 2 (2016) True Stories and the Poetics of Textual Discovery View
Eva Mroczek
 
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