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Journal | Issue | Title | |
Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
MASAHIRO YASUDA | |||
Journal for the Study of Religion, Nature and Culture | Vol 12 No. 1 (2018) | Healing in Polluted Places: Mountains, Air, and Weather in Zulu Zionist Ritual Practice | View |
Rune Flikke | |||
Popular Music History | Vol 11 No. 3 (2018) | A history of realistic rock rebellion: Rush, Heidegger and the spirit of authenticity | View |
Lee Barron | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
Paul Long | |||
CALICO Journal | Vol 29 No. 4 (2012) 29.4 | Replication Studies in CALL Research | View |
Dorothy M. Chun | |||
Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
Holly Tessler | |||
Bulletin for the Study of Religion | Vol 45 No. 3-4 (2016) | Something Bigger than Girard | View |
Jonathan Klawans | |||
CALICO Journal | Vol 19 No. 3 (2002) | The Alphabet | View |
Joyce Milambiling | |||
CALICO Journal | Vol 18 No. 2 (2001) | Roles for Technology in Collaborative Teaching | View |
Susan Bonvallet, Judith de Luce | |||
CALICO Journal | Vol 32 No. 1 (2015) | Software Review: Mango Conversations—Japanese for English Speakers | View |
Abigail McMeekin | |||
Perfect Beat | Vol 20 No. 1 (2019) | Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) | View |
Alison Blair | |||
Equinox eBooks Publishing | On Verbal Art | Future Directions in the Study of Verbal Art | View |
Wendy Bowcher | |||
CALICO Journal | Vol 30 (2013) Learner-Computer Interaction in Language Education: A Festschrift in Honor of Robert Fischer | Tools that detectives use: in search of learner-related determinants for usage of optional feedback in a written murder mystery | View |
Frederik Cornillie, Ruben Lagatie, Mieke Vandewaetere, Geraldine Clarebout, Piet Desmet | |||
Journal of Skyscape Archaeology | Vol 2 No. 2 (2016) | “Sun Marker”: A Laboratory for Experiential Cultural Astronomy | View |
Angela M. Richman, Von Del Chamberlain, Joe Pachak | |||
Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
Ewa Mazierska, Bence Kránicz | |||
Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
Matthew Bannister | |||
Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
Bruce Sheridan, Philip Hayward | |||
Fieldwork in Religion | Vol 3 No. 1 (2008) | Mothman: Monster, Disaster, and Community | View |
Joe Laycock | |||
CALICO Journal | Vol 36 No. 3 (2019) | Effects of L1/L2 Captioned TV Programs on Students’ Vocabulary Learning and Comprehension | View |
Yangting (Tina) Wang | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane | View |
David Liebman, | |||
Journal of Interactional Research in Communication Disorders | Vol 6 No. 2 (2015) . | The language performance of hearing aid and cochlear implant adult users: A pragmatic approach | View |
Sara Meilijson, Jaclyn B Spitzer | |||
Journal of Interactional Research in Communication Disorders | Vol 9 No. 1 (2018) | The Kindergarten Early Language Intervention (KELI) Program: Multiculturalism in action | View |
Fern Westernoff, Theresa Young, Joanne Shimotakahara | |||
Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | American Afterlives: Ghosts in the Commodity | View |
Shannon Lee Dawdy | |||
Religious Studies and Theology | Vol 18 No. 2 (1999) INFORMATION FOR CITATION-NO PDF AVAILABLE | The Creation of 'Religious' Scientology | View |
Stephen A. Kent | |||
Perfect Beat | Vol 4 No. 1 (1998) | THE RECONCILING OF PORT FAIRY SPIRITS The politics of Aboriginal reconciliation in an Australian Folk Festival recording | View |
JILL STUBBINGTON | |||
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