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| Journal | Issue | Title | |
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema | View |
| Erik Heine | |||
| Equinox eBooks Publishing | Ludomusicology | Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games | View |
| William Gibbons | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
| Liam Maloy | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Recorded Time Listening Again to Popular Music History | View |
| Paul Leslie Long | |||
| Equinox eBooks Publishing | Ludomusicology | “It’s a me, Mario!” – Playing With Video Game Music | View |
| Melanie Fritsch | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Language, music and cultural consolidation on Minami Daito | View |
| Philip Hayward, Daniel Long | |||
| Health and Social Care Chaplaincy | Vol 9 No. 2 (2021) | Ecological Awareness in Practice: Spirituality, Community Health, and the Possibilities of Music Therapy | View |
| Astrid Notarangelo | |||
| Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
| Greg Keeffe | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Ett minne för livet: A Swedish music collective | View |
| Alf Arvidsson, Jörgen Adolfsson | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Extreme music for extreme people? Norwegian black metal and transcendent violence | View |
| Michelle Phillipov | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Riffing on course redesign: Leveraging pedagogy for teaching music online | View |
| Benjamin Phipps | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
| Shane Homan | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | "'Leitmotif': On the Application of a Word to Film Music" | View |
| Stephen C. Meyer | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Experiences and perceptions of gender in the Australian music industry | View |
| Hannah Mary Fairlamb, Bianca Fileborn | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
| Dave Horn | |||
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