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| Journal | Issue | Title | |
| Perfect Beat | Vol 2 No. 2 (1995) | PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND | View |
| MARK DERBY, HELEN WILSON | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Perfect Beat | Vol 3 No. 4 (1998) | CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style | View |
| DENNIS CROWDY | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 6. Climate and Environment in Idelsohn’s History of Hebrew Music | View |
| Shai Burstyn | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading | View |
| David Neumeyer | |||
| Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
| PHILIP HAYWARD | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 2. Mancunian Irish: Identity, Cultural Intimacy and Musical Hybridization – Urban Ethnomusicology and Cultural Mapping | View |
| Svend Kjeldsen | |||
| Equinox eBooks Publishing | Yoga in Britain | Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) | View |
| Suzanne Newcombe | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Negotiating the co-curation of an online community popular music archive | View |
| Beate Peter | |||
| Perfect Beat | Vol 2 No. 2 (1995) | ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) | View |
| JACKEY COYLE, REBECCA COYLE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Equinox eBooks Publishing | Song for Someone | Present Past, Past Present: The Musical Legacy of Kenny Wheeler | View |
| Brian Shaw, Nick Smart | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | View |
| Laura Glitsos | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
| Tomoko Deguchi | |||
| Journal for the Academic Study of Religion | Vol 23 No. 2 (2010) | ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans | View |
| Mark Jennings | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 | View |
| RYUICHI TAI | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Examining the legend and music of Australian saxophonist, Frank Smith | View |
| Ralph Whiteoak | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Equinox eBooks Publishing | Sounds Icelandic | Beyond Reykjavik 101: Iceland’s Popular Music Mainstream and the Eurovision Song Contest | View |
| Sarah Baker | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea | View |
| Robert Hamilton | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Introduction: Asian modernities, musical traditions and strategies of engagemen | View |
| Adrian McNeil | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Self Borrowing in the Music of Bernard Herrmann | View |
| William Wrobel | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals | View |
| Roberto Sciarelli, Sergio Sciambra, Giulia Follo, Salvatore Cosentino | |||
| 351 - 375 of 3889 Items | << < 10 11 12 13 14 15 16 17 18 19 > >> | ||
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