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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
| Carl Clements | |||
| Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Response to Michael Kaler | View |
| Jason C. Bivins | |||
| Perfect Beat | Vol 1 No. 2 (1993) | JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I | View |
| Andrew N. Weintraub | |||
| Systemic Phonology | View | ||
| Wendy L. Bowcher, Bradley A. Smith, Gerard O'Grady, Annabelle Lukin, Shan Zhu, Kazuyoshi Iwamoto, Martin Davies, Michael Cummings, David Banks, David Caldwell, Paul Tench, Stefano Fasciani, Kay L. O'Halloran, Robin Fawcett, William Southworth Greaves | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GOA TRANCE | View |
| FRED COLE, MICHAEL HANNAN | |||
| Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
| Gene Shill | |||
| Perfect Beat | Vol 3 No. 2 (1997) | DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir | View |
| ALEX GIBB, MEAGAN LOADER | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Female Singing Voice: Gospel, Blues, Epic Stories and Animation | View |
| Anne Power | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | Conclusion | View |
| Michael Mary Murphy, Jim Rogers | |||
| Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Where Will It End? An Introduction | View |
| Bruce Lindsay | |||
| Thunder in their Hearts | View | ||
| Francis Gooding | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Towards a Theory of Musicodramatic Practice in Film: Questions of Method | View |
| David Revill | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Equinox eBooks Publishing | Scouse Pop | Appendix 1: List of interviews | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Appendix 2: Scouse Pop TV | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Philip Larkin | Jazz in Hull: Larkin’s Life in Hull and his Life as a Jazz Listener and Enthusiast | View |
| Ian Smith | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) | View |
| Irene Comisso | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Index | View |
| Sarah Raine, Tim Wall, Nicola Smith | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Critical Reflection | View |
| Tim Wall | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOCTORED JAZZ Early Australian Jazz Journals | View |
| BRUCE JOHNSON | |||
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