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Journal | Issue | Title | |
Equinox eBooks Publishing | Scouse Pop | Appendix 1: List of interviews | View |
Paul Skillen | |||
Equinox eBooks Publishing | Scouse Pop | Appendix 2: Scouse Pop TV | View |
Paul Skillen | |||
Dub in Babylon | View | ||
Christopher Partridge | |||
An Unholy Row | View | ||
Dave Gelly | |||
Equinox eBooks Publishing | The Northern Soul Scene | Index | View |
Sarah Raine, Tim Wall, Nicola Smith | |||
Equinox eBooks Publishing | The Northern Soul Scene | Critical Reflection | View |
Tim Wall | |||
Equinox eBooks Publishing | Keith Jarrett | The Jazz Man as Classical Musician | View |
Wolfgang Sandner | |||
Walking a Blues Road | View | ||
Samuel Charters | |||
Earogenous Zones | View | ||
Bruce Johnson, Mark Evans, Matt Burgess, Lesley Chow, Clarice Butkus, James Wierzbicki, Philip Hayward, Emil Stoichkov, Laura Wiebe Taylor, Liz Giuffre, Kevin Clifton, Paul Warren, Marianne Tatom Letts, Ralph Marsh | |||
Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians | View |
Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo | |||
Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Harry Finds Fame | View |
Bruce Lindsay | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 | View |
Pedro Nunes | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman | View |
Sandy Evans | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Coltrane and Beyond | View |
Tony Whyton, Catherine Tackley, Vincent Cotro | |||
Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
Howard Rye | |||
Equinox eBooks Publishing | The Making of the Musical World | The Middle East: Another Way of Thinking | View |
Andrew Killick | |||
Perfect Beat | Vol 8 No. 4 (2008) | THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY | View |
PHILIP McINTYRE, BRYAN PATON | |||
Equinox eBooks Publishing | The Northern Soul Scene | Out on the Floor: The Politics of Dancing on the Northern Soul Scene | View |
Tim Wall | |||
Popular Music History | Vol 10 No. 2 (2015) | Resource notes: Amplifying intangible heritage as a resource for museum narratives | View |
Rob Horrocks | |||
Perfect Beat | Vol 1 No. 2 (1993) | THE DIDJERIDU AND THE OVERDUB Technologising and Transposing Aural Images of Aboriginality | View |
Karl Neuenfeldt | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | The Continuity of Melos: Beginnings to the Present Day | View |
Anne Dhu McLucas | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
Ioannis Tsioulakis | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice | View |
Petter Frost Fadnes | |||
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