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| Journal | Issue | Title | |
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
| Ioannis Tsioulakis | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice | View |
| Petter Frost Fadnes | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | View |
| PETER DUNBAR-HALL | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of Tom Page | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of Sean Chapman | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of Emily Jane | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of John Manship | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of Sammy Dee | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of Harriet Dalkin | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Northern Soul Scene | The Voice of Participants on the Scene | View |
| Mark Duffett, Sarah Raine, Tim Wall | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of Kev Roberts | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Portrait of Jenny Wilkes | View |
| William Ellis | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Before #MeToo: Hearing Vulnerability | View |
| Diane Hughes, Mark Evans | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Jazz in Brazil: An Early History (1920s-1950s) | View |
| Anaïs Fléchet | |||
| Equinox eBooks Publishing | Scouse Pop | The Audience Respond | View |
| Paul Skillen | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | The embodiment of ‘Chinese strength’: Cultural collectivism in the lyrics of epidemic songs | View |
| Wenyu Zhong, Mengyu Luo | |||
| Perfect Beat | Vol 1 No. 3 (1993) | SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup | View |
| Annie Girodo, Janine Payoe | |||
| Popular Music History | Vol 3 No. 2 (2008) | Afraid of Technology?: Major label response to advancements in digital technology | View |
| Aaron Robert Furgason | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony | View |
| Beth E. Levy | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Modal Interchange and Semantic Resonance in Themes by John Williams | View |
| Tom Schneller | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Gender politics, UK jazz festivals and COVID-19: Maintaining the momentum of change during a time of crisis | View |
| Sarah Raine | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns | View |
| Michael Beckerman, William H. Rosar | |||
| Equinox eBooks Publishing | The Godfather of British Jazz | Time and Changes | View |
| Clark Tracey | |||
| Equinox eBooks Publishing | The Godfather of British Jazz | Nepotism Begins at Home | View |
| Clark Tracey | |||
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