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| Journal | Issue | Title | |
| Equinox eBooks Publishing | The Rosary and the Microphone | Songs of Innocence as Barthes' Ideal Novel | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Preface | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Acknowledgements | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Bibliography | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | The Rosary and the Microphone | Index | View |
| Nicholas Greco | |||
| Equinox eBooks Publishing | Thunder in their Hearts | Jabula: 1970s | View |
| Francis Gooding | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 7. “My Name’s Ringo and I Play the Drums”: Being a Beatles’ Fan in the Age of Interactivity | View |
| Stephanie Fremaux | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 8. The Beatles and Fandom | View |
| Richard Mills | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 3. From Liverpool to Tibet: 'Tomorrow Never Knows' and the Troubled Path to the East | View |
| Sharif Gemie | |||
| Equinox eBooks Publishing | Turntable Stories | It Landed | View |
| Matt Leonard | |||
| Equinox eBooks Publishing | Song for Someone | The Imminent Immigrant | View |
| Brian Shaw, Nick Smart | |||
| Hear My Train A Comin’ | View | ||
| Kevin Le Gendre | |||
| Formation | View | ||
| Brad Mehldau | |||
| Popular Music History | Vol 7 No. 1 (2012) | Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society | View |
| Marcus Collins | |||
| CALICO Journal | Vol 34 No. 1 (2017) | Gaming as an English Language Learning Resource among Young Children in Denmark | View |
| Signe Hannibal Jensen | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | 'Complaining time is over': Network and collective strategies of the New York Musicians Organization | View |
| Michael C. Heller | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Introduction: Hip Hop, En-voicing and Agency | View |
| Adam Haupt, Quentin E. Williams, H. Samy Alim | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not | View |
| Andy R. Brown | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Watching them walk out taller than they walked in: Sydney's venues in 2016 | View |
| Martin Cloonan | |||
| Jazz Research Journal | Vol 7 No. 2 (2013) | Editorial | View |
| Tony Whyton, Catherine Tackley | |||
| CALICO Journal | Vol 16 No. 1 (1999) | New Directions in CALL: Getting to the Heart of It | View |
| Gail L. Robinson-Stuart | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | ‘We’ve got a gig in Poland!’: Britain and jazz in World War II | View |
| Will Studdert | |||
| Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
| Ian Trowell | |||
| CALICO Journal | Vol 19 No. 3 (2002) | SEAsite: Web-based Interactive Learning Resources for Southeast Asian Languages and Cultures | View |
| George Henry, Robert Zerwekh | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
| Will Finch | |||
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