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Journal | Issue | Title | |
Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
Catherine Strong, Ian Rogers | |||
Perfect Beat | Vol 8 No. 3 (2007) | Editorial | View |
Henry Johnson | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie | View |
Nathalie Weidhase | |||
Popular Music History | Vol 8 No. 3 (2013) | David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). | View |
Holly Holmes | |||
Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Editorial Introduction | View |
Kirsten Zemke | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Giant Steps, freedom won over / by constraint | View |
Philippe Michel, | |||
Equinox eBooks Publishing | The Long Shadow of the Little Giant | Boy Wonder Terrorist (1951-1955) | View |
Simon Spillett | |||
Equinox eBooks Publishing | Provincial Headz | The Identity of Hip Hop: Reality, Image and a State of Mind | View |
Adam de Paor-Evans | |||
Equinox eBooks Publishing | Venue Stories | The New Breed: 1990s Mod Revival Scene in Leeds | View |
Abigail Gaines | |||
Equinox eBooks Publishing | Venue Stories | More than a Club: The Genius Loci of Eric's | View |
Penny Kiley | |||
Equinox eBooks Publishing | Venue Stories | The Rainbow Venues and Swingamajig: Closing the Doors on the Home of One of Birmingham's Favourite Festivals | View |
Chris Inglis | |||
Equinox eBooks Publishing | Turntable Stories | Sounds Where I Live: Residential Expatriate DJs and Stories Sounding of Saigon | View |
Nguyễn Minh Tiến | |||
Perfect Beat | Vol 4 No. 1 (1998) | Editorial | View |
PHILIP HAYWARD, MARK EVANS | |||
Jazz Research Journal | Vol 14 No. 1 (2020) | The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’ | View |
Juan Zagalaz | |||
Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique | View |
François Gauthier | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
Simone Krüger Bridge, Sarah Baker | |||
Perfect Beat | Vol 17 No. 1 (2016) | Introduction | View |
Oli Wilson, Dan Bendrups, Donna Weston | |||
Perfect Beat | Vol 15 No. 1 (2014) | Introduction | View |
Mark Evans, Denis Crowdy | |||
Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
Selwyn Harris | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Sound and Vision: 60 Years of Motion Picture Soundtracks | View |
Jon Burlingame | |||
Heavy Metal | View | ||
Titus Hjelm, Keith Kahn-Harris, Mark LeVine, Andy R. Brown, Brad Klypchak, Hélène Laurin, Lee Barron, Marcus Moberg, Gérôme Guibert, Jeremy Wallach, Benjamin Hedge Olson, Michelle Phillipov, Nicola Allett, Kevin Fellezs, Rosemary Overell, Niall Scott | |||
Perfect Beat | Vol 15 No. 2 (2014) | Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp | View |
Anne Danielsen | |||
Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
Nabeel Zuberi | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Introduction: Sounding out the past | View |
Paul Long, Nicholas Gebhardt | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) | View |
Jonathan P. J. Stock | |||
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