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Journal | Issue | Title | |
Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
MASAHIRO YASUDA | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton | View |
Dave Laing | |||
Popular Music History | Vol 4 No. 1 (2009) | Nicola Dibben, Björk. London: Equinox, 2009. ix + 221 pp. ISBN 978-0-253-22065-3 (pbk) | View |
Chloë Mullett | |||
Popular Music History | Vol 8 No. 1 (2013) | Resource notes | View |
Andy Linehan | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Jocelyne Guilbault and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC and London: Duke University Press. 286pp. ISBN 978-0-8223-5774-2 (pbk) | View |
Kent Windress | |||
Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Radio Review: Arnaud Contreras, “L’Air rebelle” (The Air of Rebellion) | View |
John Mullen | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. | View |
Angela Moran | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Bannister, M. (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate. | View |
Andy Bennett | |||
Perfect Beat | Vol 12 No. 2 (2011) | Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. | View |
Roger Landes | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. | View |
Natalie Lewandowski | |||
Journal of Film Music | Vol 6 No. 2 (2013) | Editorial | View |
Ian Sapiro, Laura Anderson | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | John Collins. 2015. Fela: Kalakuta Notes, 2nd edn. Middletown, CT: Wesleyan University Press. 344pp. ISBN 978-0-8195-7539-5 (pbk) | View |
Mike Hajimichael | |||
Equinox eBooks Publishing | The History of European Jazz | 33. Azerbaijan | View |
Rain Sultanov | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru | View |
Veronica Stewart, Diane Hughes | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] | View |
Nicholas Reyland | |||
Perfect Beat | Vol 1 No. 2 (1993) | SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality | View |
Philip Hayward | |||
Equinox eBooks Publishing | The History of European Jazz | 7. Luxembourg | View |
Marc Demuth | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Jam sessions in Manhattan as rituals | View |
Ricardo Nuno Futre Pinheiro | |||
Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
Philip Hayward | |||
Popular Music History | Vol 6 No. 3 (2011) | Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). | View |
James McGrath | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Radio versus Movie Underscoring | View |
Leith Stevens † | |||
Perfect Beat | Vol 8 No. 3 (2007) | Danielsen, A (2006) Presence and Pleasure: The Funk Grooves of James Brown and Parliament, Middletown, Connecticut: Wesleyan University Press | View |
JOHN SCANNELL | |||
Popular Music History | Vol 13 No. 3 (2020) | Matt Brennan, Kick It: A Social History of the Drum Kit. | View |
Karlyn King | |||
Journal of Film Music | Vol 2 No. 1 (2007) | James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] | View |
David Cooper | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Russia and the Creation of Jazz in the British Everyday Imaginary | View |
Robert Lawson-Peebles | |||
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