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| Journal | Issue | Title | |
| Perfect Beat | Vol 10 No. 2 (2009) | Introduction: Something in the Water | View |
| Denis Crowdy, Mark Evans | |||
| Popular Music History | Vol 4 No. 3 (2009) | Gordon Thompson, Please Please Me: Sixties British Pop, Inside Out. Oxford and New York: Oxford University Press, 2007. xii + 340 pp. ISBN 978-0-19-533318-3 (hbk). | View |
| Dave Laing | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | DVD Review: Benj Binks, Discovering the Roots of Hip Hop in the Heart of Asia | View |
| James Cox | |||
| Equinox eBooks Publishing | The History of European Jazz | 29. Greece | View |
| Sakis Papadimitriou | |||
| Popular Music History | Vol 4 No. 3 (2009) | The Vaughan Williams Memorial Library | View |
| Andy Lineham | |||
| Popular Music History | Vol 7 No. 2 (2012) | Resource notes | View |
| Andy Linehan | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 | View |
| Nicholas Gebhardt | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Negus, Keith. 2008. Bob Dylan. London: Equinox Publishing. ISBN 1904768253 | View |
| John Scannell | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) | View |
| Rob Bowman | |||
| Equinox eBooks Publishing | The History of European Jazz | 40. Festivals | View |
| George McKay | |||
| Popular Music History | (0) ADVANCE ACCESS | Alain-Philippe Durand, ed., Hip-Hop en Français: An Exploration of Hip-hop Culture in the Francophone World. | View |
| James G. McNally | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Lila Ellen Gray. 2013. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press. 328pp. ISBN 978-0-8223-5471-0 (pbk) | View |
| Pedro Félix | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal | View |
| Catherine Hoad | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. | View |
| Matthew Butterfield | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Edward Green, ed. The Cambridge Companion to Duke Ellington. Cambridge: Cambridge University Press, 2014. 294 pp. ISBN 978-0-521-70753-4 (pbk). $29.99 | View |
| Katherine Williams | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Singing, Sonic Authenticity and Stardom in Dancer in the Dark | View |
| Nessa Johnston | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) | View |
| Greg Dimitriadis | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Editorial | View |
| Sarah Raine, Emily Jones | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | JazzWerkstatt: A young Austrian jazz initiative | View |
| Christa Bruckner-Haring, Michael Kahr | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Guilbault, Jocelyne, and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC: Duke University Press. ISBN 978-0-8223-5760-5 (hbk), 978-0-8223-5774-2 (pbk). 304 pp. | View |
| Richard Elliott | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Moberg, M. 2015. Christian Metal: History, Ideology, Scene. London: Bloomsbury. xii + 188pp. £21.99. ISBN: 978-1-4726-7983-6 (pbk). | View |
| Liam M. Sutherland | |||
| Popular Music History | Vol 7 No. 3 (2012) | ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | Historical Consciousness and the Use of the Past in a Material World | View |
| John Baines, Henriette van der Blom, Yi Chen, Tim Rood | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 1. Ancient Near East and Hittite Traditions: Introduction | View |
| Paul Collins | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 6. Egyptian and Maya Traditions: Introduction | View |
| John Baines | |||
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