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| Journal | Issue | Title | |
| Pomegranate: The International Journal of Pagan Studies | Vol 9 No. 2 (2007) | Kabbalah Recreata: | View |
| Egil Asprem | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 10 No. 2 (2008) | The Goddess and the Virgin: Materiality in Western Europe | View |
| Amy Whitehead | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 12 No. 1 (2010) | Idolatry, Ecology, and the Sacred as Tangible | View |
| Michael York | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 12 No. 2 (2010) | The Meaning of "Wicca": A Study in Etymology, History, and Pagan Politics | View |
| Ethan Doyle White | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 13 No. 2 (2011) | Robert Cochrane and the Gardnerian Craft: Feuds, Secrets and Mysteries in Contemporary British Witchcraft | View |
| Ethan Doyle White | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 15 No. 1-2 (2013) | Orientalism in Iamblichus' The Mysteries | View |
| Sarah Lynn Veale | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 15 No. 1-2 (2013) | To Him the Winged Secret Flame, To Her the Stooping Starlight: The Social Construction of Gender in Contemporary Ordo Templi Orientis | View |
| Manon Hedenborg-White | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
| Matt Brennan | |||
| Popular Music History | Vol 1 No. 3 (2004) | Taste-making and trend-spotting: the folk revival journalism of Robert Shelton | View |
| David Laing | |||
| Popular Music History | Vol 3 No. 2 (2008) | Afraid of Technology?: Major label response to advancements in digital technology | View |
| Aaron Robert Furgason | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
| Allan Moore | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Dworkin’s nightmare: Porngrind as the sound of feminist fears | View |
| Lee Barron | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
| Kevin Fellezs | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal and the deafening threat of the apolitical | View |
| Niall Scott | |||
| Popular Music History | Vol 7 No. 1 (2012) | Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society | View |
| Marcus Collins | |||
| Popular Music History | Vol 7 No. 2 (2012) | When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? | View |
| Michaela Hilbert | |||
| Popular Music History | Vol 7 No. 3 (2012) | “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia | View |
| Sarah Baker, Alison Huber | |||
| Popular Music History | Vol 7 No. 3 (2012) | ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war | View |
| Duncan Heining | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
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