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| Journal | Issue | Title | |
| Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
| Dawn Bennett | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung | View |
| James Mitchell | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
| Eugene Dairianathan | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
| Andrew Wright Hurley | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
| Botond Vitos | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
| MELISSA BATTERSBY, MERET VALTWIES | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
| DAVID GOLDSWORTHY | |||
| Bulletin for the Study of Religion | Vol 45 No. 2 (2016) | "Trauma Makes You": An Interview with Donovan O. Schaefer | View |
| Donovan O. Schaefer, Matt Sheedy, Nathan Rein | |||
| PentecoStudies | Vol 10 No. 1 (2011) | Modernity and the Arrival of Pentecostalism in Britain | View |
| William K. Kay | |||
| PentecoStudies | Vol 11 No. 2 (2012) | Where the Wind Blows: Pentecostal Christians in Hong Kong and Singapore | View |
| William K. Kay | |||
| PentecoStudies | Vol 12 No. 2 (2013) | Transgression and Acquiescence: The Moral Conflict of Pentecostals in Their Relationship with the Ethiopian State | View |
| Emanuele Fantini | |||
| PentecoStudies | Vol 13 No. 2 (2014) | The Groaning Earth and the Greening of Neo-Pentecostalism in the 21st Century Ghana | View |
| Ben-Willie Kwaku Golo | |||
| PentecoStudies | Vol 14 No. 2 (2015) | Friend or Foe? Finding Common Ground between Development and Pentecostalism | View |
| Matthew Clarke | |||
| International Journal for the Study of New Religions | Vol 1 No. 1 (2010) | Misconceptions of the Religious ‘Other’: The Importance for Human Rights of Objective and Balanced Knowledge | View |
| Eileen Barker | |||
| International Journal for the Study of New Religions | Vol 6 No. 2 (2015) | Gurdjieff as a Bricoleur: Understanding the “Work” as a Bricolage | View |
| Steven J. Sutcliffe | |||
| Journal of Applied Linguistics and Professional Practice | Vol 8 No. 3 (2011) | Issues for interpreters and professionals working in refugee settings | View |
| Ineke Crezee, Shirley Jülich, Maria Hayward | |||
| Journal of Applied Linguistics and Professional Practice | Vol 9 No. 2 (2012) Morality in Professional Practice | Family therapy and accountability | View |
| Karin Aronsson, Ann-Christin Cederborg | |||
| Journal of Glacial Archaeology | Vol 2 (2015) | Unmoving Ice Patches and Instances of Biased Recovery Patterns | View |
| Julian Robert Post Martinsen | |||
| Journal of Islamic Archaeology | Vol 2 No. 2 (2015) | The Fatimid Palace at Ajdābiya: New Data and Perspectives | View |
| Umberto Bongianino | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal | View |
| Catherine Hoad | |||
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