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Journal | Issue | Title | |
Bulletin for the Study of Religion | Vol 48 No. 1-2 (2019) | Is There Room for Theory in the Study of Religion? A Question Revisited | View |
Philip L. Tite | |||
Fieldwork in Religion | Vol 3 No. 2 (2008) | Researching the Heartland of Pentecostalism: Latin Americans at Home and Abroad | View |
Paul Freston | |||
Sociolinguistic Studies | Vol 7 No. 1-2 (2013) Different worlds – same issues? Cases of language emancipation in Norway and France | Skol Diwan in Paris: a step away from regionalism in the teaching of Breton | View |
Denis Costaouec | |||
Bulletin for the Study of Religion | Vol 39 No. 2 (2010) | The Second Symposium on Iconic Books | View |
Jim Watts | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
Paul Long | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Rosario Dello Iacovo. 2014. Curre Curre Guagliò: Storie dei 99 Posse. Milan: Baldini & Castoldi. 304pp. ISBN 978-88-6852-666-5 (pbk) | View |
Marcello Messina | |||
Journal for the Academic Study of Religion | Vol 34 No. 1 (2021) Special Issue on Religion and Violence | Mobilising for Justice: The Contribution of Organised Survivor Groups in Australia to Addressing Sexual Violence against Children in Christian Churches | View |
Kathleen McPhillips | |||
Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | The embodiment of ‘Chinese strength’: Cultural collectivism in the lyrics of epidemic songs | View |
Wenyu Zhong, Mengyu Luo | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Introduction: The collective problem in jazz | View |
Nicholas Gebhardt | |||
Perfect Beat | Vol 2 No. 1 (1994) | THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music | View |
KARL NEUENFELDT | |||
Equinox eBooks Publishing | The History of European Jazz | 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s | View |
Michael Heffley | |||
Sociolinguistic Studies | Vol 4 No. 1 (2010) | ‘I am under cool’: Humorous mock-translation as a claim to expertise in an Irish language class | View |
Jennifer Garland | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 5 No. 3 (2009) | Óscar Romero and the Politics of Sainthood | View |
Manuel A. Vasquez, Anna L. Peterson | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study | View |
Alexander Gagatsis | |||
Bulletin for the Study of Religion | Vol 44 No. 2 (2015) | “Never the ‘Twain Shall Meet”: Disorienting East and West in Teaching and Scholarship | View |
James Mark Shields | |||
Gender and Language | Vol 3 No. 2 (2009) | Language and Religious Identity: Women in Discourse | View |
Donna L Lillian | |||
Sociolinguistic Studies | Vol 3 No. 1 (2009) | A beginner’s guide to language and gender. Allyson Jule (2008) Bristol: Multilingual Matters pp. 104 ISBN 978–1-84769–056–2 (hbk) | View |
Marilena Paraskeva | |||
Sociolinguistic Studies | Vol 6 No. 1 (2012) | Social justice through multilingual education. Tove Skutnabb-Kangas, Robert Phillipson, Ajit K. Mohanty and Minati Panda (eds) (2009) | View |
Emmanuelle Le Pichon Vorstman | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. | View |
Bruce Boyd Raeburn | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
Judith Bernanke | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) | View |
Thomas R. Hilder | |||
Sociolinguistic Studies | Vol 14 No. 1-2 (2020) | The Tyranny of Writing: Ideologies of the Written Word Constanze Weth and Kasper Juffermans (eds) (2018) | View |
Angela Bartens | |||
Fieldwork in Religion | Vol 1 No. 1 (2005) | Closed Worlds: (Not) Accessing Deobandi dar ul-uloom in Britain | View |
Sophie Gilliat-Ray | |||
Popular Music History | Vol 7 No. 1 (2012) | Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society | View |
Marcus Collins | |||
Writing & Pedagogy | Vol 10 No. 3 (2018) Special Issue: Writing across the Lifespan | Creating accounts of diverse developmental writing paths within a Colombian major in industrial engineering | View |
Elizabeth Narvaez | |||
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