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Journal for Research into Freemasonry and Fraternalism Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry Women in Eighteenth-Century English Freemasonry: the First English Adoption Lodges and their Rituals View
Róbert Péter
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 1 (2014) Freemasonry and Empire Belgian Freemasonry and the Colonial Project in the Congo (1876-1914) View
Anaïs Maes
 
Journal of Film Music Vol 1 No. 1 (2002) Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. View
Charles Leinberger
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Amadeus Stevens: Early Years and Family History View
Zolona E. Stevens Moss †
 
Journal of Film Music Vol 2 No. 2-4 (2009) High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources View
Ildar Khannanov
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. View
Bradford Lee Eden
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] View
Roger Hickman
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. View
Jennifer Matthews
 
Perfect Beat Vol 11 No. 1 (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea View
Kirsty Gillespie
 
Perfect Beat Vol 12 No. 2 (2011) Introduction: New Perspectives on Popular Music in Asia View
Shelley Brunt
 
Perfect Beat Vol 15 No. 2 (2014) Sounding the aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance View
Philip Hayward
 
Perfect Beat Vol 1 No. 2 (1993) TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea View
Michael Webb
 
Perfect Beat Vol 1 No. 4 (1994) LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video View
Bruce Sheridan, Philip Hayward
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto View
MALCOLM PHILPOTT, GREG SEETO
 
Perfect Beat Vol 4 No. 3 (1999) Editorial View
MARK EVANS, KARL NEUENFELDT
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies View
DENNIS CROWDY
 
Perfect Beat Vol 4 No. 1 (1998) AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood View
SHANE HOMAN
 
Perfect Beat Vol 3 No. 3 (1997) GOA TRANCE View
FRED COLE, MICHAEL HANNAN
 
Perfect Beat Vol 2 No. 4 (1996) DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session View
JON FITZGERALD
 
Perfect Beat Vol 2 No. 3 (1995) Traffic -An Introduction View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Bulletin for the Study of Religion Vol 41 No. 4 (2012) Field Notes for November 2012 View
Philip L. Tite
 
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