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| Journal | Issue | Title | |
| Everyday Readers | View | ||
| Ian Collinson | |||
| Consuming Passions | View | ||
| Judith Williamson | |||
| Sounds Northern | View | ||
| Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Academia Against Popular Culture: Popular Culture Against Academia | View |
| Esther Clinton | |||
| Equinox eBooks Publishing | Atheism in Five Minutes | 46. Is Atheism Visible in Popular Culture? | View |
| Teemu Taira | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Gospel and Popular Culture | View |
| Francis Bridger | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | The Importance of Popular Culture | View |
| Kevin McGeough | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Implicit Religion | Vol 12 No. 3 (2009) | Implicit Religion in Popular Culture: the Religious Dimensions of Fan Communities | View |
| Jennifer Porter | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Journal for the Study of Religion, Nature and Culture | Vol 13 No. 4 (2019) Popular Culture, Religion, and the Anthropocene | Special Issue Introduction: Popular Culture, Religion, and the Anthropocene | View |
| Lisa H. Sideris, John Whalen-Bridge | |||
| Equinox eBooks Publishing | Yoga in Britain | Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) | View |
| Suzanne Newcombe | |||
| Equinox eBooks Publishing | Codes of Conduct | Encoding the Switch: Some Reflections on Cultural Miscegenation and Post-Racialism in Black Popular Culture | View |
| James Peterson | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| International Journal for the Study of New Religions | Vol 7 No. 2 (2016) | The DMT Gland: The Pineal, The Spirit Molecule, and Popular Culture | View |
| Graham St.John | |||
| Journal for the Academic Study of Religion | Vol 24 No. 3 (2011) Religion and Celebrity | The Western Reception of Buddhism: Celebrity and Popular Cultural Media as Agents of Familiarisation | View |
| Carole Cusack | |||
| Sociolinguistic Studies | Vol 5 No. 1 (2011) Fictionalising orality | Modern Japanese “Role Language” (Yakuwarigo): fictionalised orality in Japanese literature and popular culture | View |
| Mihoko Teshigawara, Satoshi Kinsui | |||
| Journal for the Academic Study of Religion | Vol 34 No. 3 (2021) Special Issue: Religion, Spirituality and the New African Diaspora | Leveraging African Spirituality and Popular Culture betwixt Africa and the African Diaspora | View |
| Afe Adogame, Ruth Vida Amwe | |||
| International Journal for the Study of New Religions | Vol 3 No. 1 (2012) | Understanding Theology and Popular Culture, by Gordon Lynch. Blackwell, 2005, 256pp., pb. $38.95. ISBN-13: 9781405117487. | View |
| Alex Norman | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Implicit Religion | Vol 18 No. 4 (2015) | Implicit Religion in Popular Culture: The Case of Doctor Who | View |
| Andrew Crome | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 6 No. 2 (2004) | Review of Lucifer Ascending: The Occult in Folklore and Popular Culture by Bill Ellis | View |
| Sabrina Magliocco | |||
| Implicit Religion | Vol 8 No. 2 (2005) | Review of Pilgrimage in Popular Culture edited by Ian Reader and Tony Walter | View |
| Christopher Alan Lewis | |||
| Religious Studies and Theology | Vol 35 No. 2 (2016) | Religion and Popular Culture: A Cultural Studies Approach, by Chris Klassen. Oxford University Press, 2014. 227 pp., Pb. CDN $44.95, ISBN-13: 9780195449181 | View |
| Bill Anderson | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 7 No. 1 (2011) | Imagining Mary Magdalene: The Discourse of Hidden Wisdom in American Popular Culture | View |
| Jodi Eichler-Levine | |||
| Journal for the Study of Religion, Nature and Culture | Vol 7 No. 3 (2013) | Disaster Movies and the ‘Peak Oil’ Movement: Does Popular Culture Encourage Eco-Apocalyptic Beliefs in the United States? | View |
| Matthew Schneider-Mayerson | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Journal for the Study of Religion, Nature and Culture | Vol 13 No. 4 (2019) Popular Culture, Religion, and the Anthropocene | Rebels against the Anthropocene? Ideology, Spirituality, Popular Culture, and Human Domination of the World within the Disney Empire | View |
| Bron Taylor | |||
| Implicit Religion | Vol 16 No. 3 (2013) | Between Sacred and Profane: Researching Religion and Popular Culture edited by Gordon Lynch. IB Taurius, 2007. 224pp., Pb., £17.99. ISBN-13: 9781845115401. | View |
| Michael Doe | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
| MICHAEL WEBB | |||
| Journal for the Academic Study of Religion | Vol 20 No. 3 (2007) East-Asian New Religious Movements | Adam Possamai, Religion and Popular Culture: A Hyper-real Testament. Peter Lang,Brussells, 2005, pp. 176, ISBN 109052012725 (pbk). | View |
| Gary D. Bouma | |||
| Implicit Religion | Vol 6 No. 2-3 (2003) | Review of Spreading Misandry: The Teaching of Contempt for Men in Popular Culture by Paul Nathanson and Katherine K. Young | View |
| Jenny Webb | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) | View |
| Peter Manuel | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 16 No. 1 (2014) | Kristine Juncker, Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santeria (Gainsville: University Press of Florida, 2014), xx + 174 pp., $74.95 (cloth). | View |
| Christopher W. Chase | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. | View |
| Melvin Backstrom | |||
| Journal for the Academic Study of Religion | Vol 27 No. 1 (2014) | George D. Chryssides (ed.), Heaven’s Gate: Postmodernity and Popular Culture in a Suicide Group. Ashgate, Farnham, UK, 2011, pp. 228, ISBN: 978-0-7546-6374-4 (Hbk). | View |
| Celia Genn | |||
| Journal for the Academic Study of Religion | Vol 27 No. 2 (2014) Introducing Interreligious Studies | Danielle Kirby, Fantasy and Belief: Alternative Religions, Popular Narratives and Digital Cultures, Equinox, Sheffield, 2013, pp. ix + 194, ISBN 978-1-908049-23-0. | View |
| Venetia Robertson | |||
| Fieldwork in Religion | Vol 7 No. 1 (2012) | Chryssides, George D. (ed.). 2011. Heaven’s Gate: Postmodernity and Popular Culture in a Suicide Group. Farnham: Ashgate New Religions. xi + 215pp. ISBN 978 0 7546 6374 4. Hbk. £47.50. | View |
| Peter Åkerbäck | |||
| Elton John | View | ||
| Dave Laing† | |||
| Trajectories and Themes in World Popular Music | View | ||
| Simone Krüger Bridge | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Deadline at Dawn | View | ||
| Judith Williamson | |||
| Perfect Beat | Vol 2 No. 1 (1994) | MADONNA - JUSTIFY OUR LOVE? | View |
| TIFFANY HUTTON | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship | View |
| Kimberly Kattari | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Popular Music History | Vol 10 No. 2 (2015) | Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney | View |
| Gaëlle Crenn | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Ghost Singers: The Singing Voice in Korean Pop Cinema | View |
| Sarah Keith, Alex Mesker | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| ABC | View | ||
| Ivan Illich, Barry Sanders | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
| Nina Menezes | |||
| Technomad | View | ||
| Graham St John | |||
| The Making of the Musical World | View | ||
| Andrew Killick | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music | View |
| Tom Wagner | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Body Talk and Cultural Identity in the African World | View | ||
| Augustine Agwuele, Ann Albuyeh, Michael Sharp, Dotun Ayobade, Bukola Adeyemi Oyeniyi, Maureen N. Eke, Karen W. Sanders, Moges Yigezu, Damaris Seleina Parsitau, Abimbola A. Adelakun | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| James Brown | View | ||
| John Scannell | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Implicit Religion | Vol 21 No. 1 (2018) | Playing the Myth: Video Games as Contemporary Mythology | View |
| Vivian Asimos | |||
| Popular Music History | Vol 4 No. 3 (2009) | The production of English rock and roll stardom in the 1950s | View |
| Martin Cloonan | |||
| Heavy Metal | View | ||
| Titus Hjelm, Keith Kahn-Harris, Mark LeVine, Andy R. Brown, Brad Klypchak, Hélène Laurin, Lee Barron, Marcus Moberg, Gérôme Guibert, Jeremy Wallach, Benjamin Hedge Olson, Michelle Phillipov, Nicola Allett, Kevin Fellezs, Rosemary Overell, Niall Scott | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | View |
| ALINE SCOTT-MAXWELL | |||
| Popular Music History | Vol 5 No. 2 (2010) | The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 | View |
| Holly Tessler | |||
| Dancehalls, Glitterballs and DJs | View | ||
| Bruce Lindsay | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Journal for the Study of Religion, Nature and Culture | Vol 1 No. 3 (2007) Vol 1, No 3 (2007):Forum on Religion, Nature and Culture (part II) | Overkill: Why Excess and Conflict are both Sexy and Sacred | View |
| Jane Caputi | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | ‘There’s no music on a dead planet’: The role of Green Music Australia in climate change activism | View |
| Julie Rickwood | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
| Ewa Mazierska | |||
| Popular Music History | Vol 10 No. 2 (2015) | Resource notes: Amplifying intangible heritage as a resource for museum narratives | View |
| Rob Horrocks | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Popular Music History | Vol 4 No. 1 (2009) | The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett | View |
| Dale Carter | |||
| Popular Music History | Vol 9 No. 2 (2014) | Another Green World?: Eno, Ireland and U2 | View |
| Noel McLaughlin | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | The Cool Culture of Neoliberal Capitalism | View |
| Simone Krüger Bridge | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Popular Music History | Vol 9 No. 3 (2014) | Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 | View |
| Rebecca S. Miller | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Caribbean: Powerhouse of Popular Styles | View |
| Andrew Killick | |||
| The Public Archaeology of Death | View | ||
| Howard Williams, Benedict Wills-Eve, Jennifer Osborne, Chiara Bolchini, Karina Croucher, Suzanne Evans, Leszek Gardeła, Jodie Lewis, Sian Mui, Sam Munsch, Rachael Mary Nicholson, Madeline Walsh, Aaron Watson, Marion Shiner, Katie A. Hemer, Rhiannon Comeau | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique | View |
| David Verbuč | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon | View |
| Rupert Till | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Bulletin for the Study of Religion | Vol 42 No. 3 (2013) | Cowards, Critics, and Catholics: The Catholic League for Religious and Civil Rights, South Park and the Politics of Religious Humor in the United States | View |
| David Feltmate | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Popular Music History | Vol 13 No. 3 (2020) | In my tomb: Unveiling the Beach Boys state historical landmark | View |
| Dale Carter | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Rock opera and resistance: Stephen, the King as a building block of minority ethnic identity in Transylvania and the United States | View |
| Imola Bülgözdi, Zsófia O. Réti | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Equinox eBooks Publishing | The Making of the Musical World | Popular and Traditional Musics of Indigenous Peoples | View |
| Andrew Killick | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Perfect Beat | Vol 13 No. 1 (2012) | 'Like him or loathe him': critical reactions to André Rieu in Australia | View |
| Sarah Keith | |||
| Popular Music History | Vol 4 No. 2 (2009) | Street ballets in magic cities: cultural imaginings of the modern American metropolis | View |
| Tadhg O'Keeffe | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Jazz on BBC Radio 1922-1972 | View | ||
| Tim Wall | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Virtual Micronesia: Performance and Participation in a Pacific Facebook Community | View |
| Brian Diettrich | |||
| Religions of South Asia | Vol 12 No. 1 (2018) | Health and Popular Psychology: Ayurveda in the Western Holistic Health Sector | View |
| Maya Warrier | |||
| Music, Meaning and Value in Paraguayan Song | View | ||
| Alfredo C Colman, Simone Krüger Bridge, Timothy D. Watkins, Berta Rojas, Sonia Valiente, Romy Martinez, Elisa Mercedes Lezcano Verón, Miguel Díaz Antar , Nicolás Ramírez Salaberry, Matt Dicken | |||
| Equinox eBooks Publishing | Hear My Train A Comin’ | Introduction | View |
| Kevin Le Gendre | |||
| Equinox eBooks Publishing | The U.S. Constitution in Five Minutes | 55. The U.S. Constitution as an International Model | View |
| Monica Lineberger | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | Horslips: Advancing DIY and Enterprise in the Irish Music Scene | View |
| Michael Mary Murphy | |||
| Nothing Could be Further from the Truth | View | ||
| Reed M.N. Weep, Alumno Sinllanto, Reed M.N. Weep, Craig Martin, Craig Prentiss, Russell T. McCutcheon, Scott S. Elliott, Janet S. Joyce | |||
| Implicit Religion | View | ||
| Francis Stewart, Leslie J. Francis | |||
| Chilli Peppers | View | ||
| Andrew Dalby | |||
| Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
| Michael Flint | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Equinox eBooks Publishing | Building Blocks of Religion | Invisible Hands and Sacred Unicorns: Occulture as a Schema for Supernatural Ascriptions in the Millennial Generation | View |
| Ingela Visuri | |||
| Elvis | View | ||
| Mark Duffett | |||
| Implicit Religion | Vol 16 No. 3 (2013) | America's Heirloom Comfort Song: "Amazing Grace" | View |
| Kevin Lewis | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Don't Judge a Book by Its Cover! | View |
| Monica Miller | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Companion Website | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Acknowledgements | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Bibliography | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Index | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Levantine Entanglements | 2. Cultural Production in the Iron Age Southern Levant | View |
| Terje Stordalen | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'How you gonna see me now': Recontextualizing metal artists and moral panics | View |
| Brad Klypchak | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Equinox eBooks Publishing | The Making of the Musical World | American Popular Music and the World | View |
| Andrew Killick | |||
| Send in the Clones | View | ||
| Georgina Gregory | |||
| Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
| Andy Linehan | |||
| Bulletin for the Study of Religion | Vol 41 No. 4 (2012) | Evidentiary Boundaries and Improper Interventions: Evidence, Implications, and Illegitimacy in American Religious Studies | View |
| Kelly J. Baker | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music in Postdemocracy | View |
| Simone Krüger Bridge | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music | View |
| KARL NEUENFELDT | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The extreme metal ‘connoisseur’ | View |
| Nicola Allett | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Buddhist Studies Review | Vol 24 No. 1 (2007) | Shangri-La and History in 1930s England | View |
| Lawrence Normand | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks | View |
| Scott Daniel Dunbar | |||
| Equinox eBooks Publishing | The Making of the Musical World | Preface | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Pagan Religions in Five Minutes | 32. Can a Person have Pagan Beliefs without being Pagan? | View |
| Alessandro Testa | |||
| The Singing Voice in Contemporary Cinema | View | ||
| Diane Hughes, Nessa Johnston, Katherine Meizel, Anne Power, Gianpaolo Chiriacò, Sarah Keith, Alex Mesker, Nina Menezes, James Deaville, Penny Spirou, Philip Hayward, Mark Thorley, Liz Giuffre, Veronica Stewart, Mark Evans, Agnes Malkinson, Natalie Lewandowski | |||
| Charming Beauties and Frightful Beasts | View | ||
| Fabrizio M. Ferrari, Thomas Dähnhardt, Patrick Olivelle, David Smith, Davide Torri, Alice Collett, Eleanor Nesbitt, Stefano Beggiora, Ivette Vargas-O’Bryan, Sarit K. Chaudhuri, Eva de Clercq, David Pinault, Rachel Dwyer, Xenia Zeiler, Amy L. Allocco | |||
| Scouse Pop | View | ||
| Paul Skillen, Paul Du Noyer | |||
| Ivor Cutler | View | ||
| Bruce Lindsay | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Perfect Beat | Vol 15 No. 2 (2014) | An interview with Tiki Taane: Expressing cultural heritage and identity through music | View |
| Oli Wilson | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain | View |
| Lawrence Davies | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Thai television and pleeng luuk tung: The role of television in the Isan cultural revival | View |
| James Leonard Mitchell | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
| Robert Lawson-Peebles | |||
| Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
| Kyle Devine | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Billboard’s ‘Hot Country Songs’ chart and the curation of country music culture | View |
| Jada Watson | |||
| Perfect Beat | Vol 1 No. 3 (1993) | FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia | View |
| John Whiteoak | |||
| Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
| Howard Rye | |||
| Comparative Islamic Studies | Vol 3 No. 2 (2007) | Islam, Muslims and Arabs in the Popular Hollywood Cinema | View |
| Anton Karl Kozlovic | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music before Neoliberalism | View |
| Simone Krüger Bridge | |||
| Popular Music History | Vol 3 No. 1 (2008) | ‘Where do I begin the story?’: Collective memory, biographical authority and the rock biography | View |
| Robert Strachan | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 9 No. 2-3 (2013) Special Issue: Miniature Iconic Books | Ritualizing the Size of Books | View |
| James W. Watts | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Gender and Language | Vol 5 No. 2 (2011) | Masculine Identity and Identification as Ethnomethodological Phenomena: Revisiting Cameron and Kulick | View |
| Bethan Benwell | |||
| Religious Studies and Theology | Vol 26 No. 2 (2007) | Liberating Epistemology: Wikipedia and the Social Construction of Knowledge | View |
| Rubén Rosario Rodríguez | |||
| Equinox eBooks Publishing | Building Blocks of Religion | Fantastic Stories, Emotions and Ancient Religions: Open Questions and Ideas in Conversation with the Building Block and Worldviews Approach | View |
| Laura Feldt | |||
| Prince | View | ||
| Annie Potts | |||
| The Beatles | View | ||
| Ian Inglis | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality | ‘Mālama the 'āina, Mālama the people on the 'āina:’ The reaction to Avatar in Hawai`i | View |
| Rachelle K Gould, Nicole M Ardoin, Jennifer Kamakanipakolonahe`okekai Hashimoto | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | From South Korea to the Southern Hemisphere: K-Pop below the Equator | View |
| Stephen Epstein | |||
| Comparative Islamic Studies | Vol 8 No. 1-2 (2012) | Mind the Beard! Deference, Purity and Islamization of Everyday Life as Micro-factors in a Salafi Cultural Epidemiology | View |
| Jonas Svensson | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea | View |
| Robert Hamilton | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
| Liz Giuffre | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Malaysian composers, geopolitical spaces and cultural difference | View |
| Jonas Ureta Baes | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Religious Studies and Theology | Vol 38 No. 1-2 (2019) Special Issue: Festschrift for Michel Desjardins | Michel Desjardins: An Angel of Academia | View |
| Erica Hurwitz Andrus | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Youth and linguistic stylization in Naija Afro Hip Hop | View |
| Idom T. Inyabri | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 20 No. 2 (2018) | The Hunt for Lost Identity: Native Faith Paganism in Contemporary Lithuania | View |
| Dalia Senvaitytė | |||
| Journal for the Academic Study of Religion | Vol 27 No. 1 (2014) | Cultural Framing of Risk and Religion within Science Fiction Narratives | View |
| Adam Possamai, Alphia Possamai-Inesedy | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 10 No. 1 (2008) | The Figure of the Shaman as a Modern Myth. Some reflections on the attractiveness of shamanism in modern societies | View |
| Gerhard A. Mayer | |||
| Anime, Religion and Spirituality | View | ||
| Katherine Buljan, Carole M. Cusack | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 13 No. 6 (2011) Issue Number 6, November 1998 | JOURNEYING THE POLITICS OF ECSTASY: Anthropological Perspectives on Neoshamanism | View |
| Robert J Wallis | |||
| Equinox eBooks Publishing | Miniature Books | Ritualizing the Size of Books | View |
| James W. Watts | |||
| Equinox eBooks Publishing | Bikutsi | Women’s Song-and-Dance-Pieces: The "Original" Bikutsi | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Bikutsi | Performing Beti "Village" Music: The Bikutsi of Les Vétérans | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | The Making of the Musical World | Latin America: A Tale of Five Continents | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Pagan Religions in Five Minutes | 44. What is Chaos Magic? | View |
| Isis Mrugalla-Kalmbacher | |||
| First Civilizations | View | ||
| Robert Chadwick | |||
| Yoga in Britain | View | ||
| Suzanne Newcombe | |||
| Literary Buddhas | View | ||
| Naomi Appleton, Christopher V. Jones | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Rationales in flux: Charting transcultural Polynesian music-making processes | View |
| Andrew Faleatua | |||
| Analyzing the Media | View | ||
| Martin Kaltenbacher, Ana Maria Coria, Maria Cristina Spinola†, Ann Montemayor-Borsinger, Melanie Kerschner, Julia Lavid, Lara Moratón, Marina Manfredi, Carlos Prado-Alonso, Miriam Perez-Veneros, David Banks, Rebekah Wegener, Jörg Cassens, Chiao-I Tseng, Janina Wildfeuer, Daniel Lees Fryer, Sonja Molnar, Esterina Nervino, Hartmut Stöckl | |||
| An Iconography of Japanese Identity | View | ||
| Ken Tann | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
| Mariana Barreto | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Relentless Denial: Female Homosexuality in Tango | View |
| Mercedes Liska | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Equinox eBooks Publishing | Vernacular Knowledge | 12. Negotiating Vernacular Authority, Legitimacy and Power: Creativity, Ambiguity and Materiality in Devotion to Gauchito Gil | View |
| Marion Bowman | |||
| Writing & Pedagogy | Vol 9 No. 1 (2017) Special Issue: Orality and Literacy in the 21st Century: Prospects for Writing and Pedagogy | Understanding orality through online fanfiction: Implications for writing and pedagogy | View |
| Vittorio Marone, Anthony D. Neely | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 3 (2010) | Virtual Nature: Environmentalism in Two Multi-player Online Games | View |
| William Sims Bainbridge | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Nine lives in the music business: Reg Dwight and Elton John in the 1960s | View |
| Dave Laing | |||
| Journal of Contemporary Archaeology | Vol 3 No. 1 (2016) | “The Sole You Found was the Soul of the Festival”: Archaeological Study of a Rock Festival in Seinäjoki, Finland | View |
| Tiina Äikäs, Wesa Perttola, Tiina Kuokkanen | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
| Brent Keogh | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Implicit Religion | Vol 21 No. 1 (2018) | An Implicit Religion of Control: Corporate Mindfulness Meditation Programs | View |
| George Sanders | |||
| Linguistics and the Human Sciences | Vol 8 No. 3 (2012) | The language of identity discourse: introducing a systemic functional framework for iconography | View |
| Ken Tann | |||
| Journal for the Academic Study of Religion | Vol 23 No. 3 (2010) New Virtual Frontiers: Religion and Spirituality in Cyberspace | Om-line Hinduism: World Wide Gods on the Web | View |
| Heinz Scheifinger | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | The Roots of Digital Cumbia in Sound System Culture: Sonideros, Villeros, and the Transformation of Colombian Cumbia | View |
| Moses Iten | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar | View |
| Markus Verne | |||
| Gender and Language | Vol 8 No. 2 (2014) Gender, language and the media | Powerful women, vulnerable men and postfeminist masculinity in men’s popular fiction | View |
| Rosalind Gill | |||
| International Journal for the Study of New Religions | Vol 2 No. 2 (2011) | Seekership as Social Institution in Alternative Religion | View |
| Steven J. Sutcliffe | |||
| Equinox eBooks Publishing | The Public Archaeology of Death | Grave Expectations: Burial Posture in Popular and Museum Representations | View |
| Sian Mui | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive | View |
| Alessandro Bratus | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
| Gisa Jähnichen | |||
| Journal of Mediterranean Archaeology | Vol 14 No. 1 (2001) June 2001 | Placing Individuals: Pompeian Epigraphy in Context | View |
| Penelope M. Allison | |||
| Religions of South Asia | Vol 9 No. 1 (2015) | Peace, Conflict and Identity in Religious Representations of India: Mother Goddess of the Nation and her Beloved Daughter | View |
| K. Unni Krishnan | |||
| Implicit Religion | Vol 21 No. 4 (2018) | Through the Looking Glass: Ghost in the Shell, Transhumanism, and Transcendence through the Virtual | View |
| Danielle Shalet | |||
| Equinox eBooks Publishing | Levantine Entanglements | 15. The Infrastructure of Shared Sacred Sites in Hatay, Turkey: Interreligious Dynamics of Saint Veneration in the Northern Levant | View |
| Jens Kreinath | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Implicit Religion | Vol 17 No. 4 (2014) | Salvation from Illusion, Salvation by Illusion: The Gospel According to Christopher Nolan | View |
| George Faithful | |||
| Religions of South Asia | Vol 7 No. 1-3 (2013) Vol. 7, No. 1/No. 2 (Double) 2013 | The Silent Killer: The Ass as Personification of Illness in North Indian Folklore | View |
| Fabrizio M. Ferrari | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time | View |
| Pablo Alabarces, Felipe Trotta | |||
| Popular Music History | Vol 8 No. 3 (2013) | The making of identity and its relation to place and success: The case of ‘mainstream’ popular music in Newcastle NSW, 1973–1988 | View |
| Gaye Sheather, Phillip McIntyre | |||
| Journal for the Study of Religion, Nature and Culture | Vol 12 No. 3 (2018) Special Issue: The Sacred Tree | The Glastonbury Thorn in Vernacular Christianity and Popular Tradition | View |
| Carole M. Cusack | |||
| Equinox eBooks Publishing | Elvis | Notes | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Introduction | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Bibliography | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Index | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Acknowledgements | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Appendices | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Music Tree | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Beatles | References | View |
| Ian Inglis | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
| Berenice Corti, Luciana Xavier de Oliveira | |||
| International Journal for the Study of New Religions | Vol 9 No. 2 (2018) Special Issue: Indigenizing movements in Europe | “Witch” and “Shaman”: Discourse Analysis of the Use of Indigenizing Terms in Italy | View |
| Angela Puca | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
| Kimberly Hannon Teal | |||
| Gender and Language | Vol 12 No. 2 (2018) | Dragging up the past: investigating historical representations of drag in South Africa | View |
| T. L. McCormick | |||
| Equinox eBooks Publishing | Nothing Could be Further from the Truth | Original Publication Information | View |
| Alumno Sinllanto | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | Film as History and History as Hyperreality | View |
| Kevin McGeough | |||
| Soul Unsung | View | ||
| Kevin Le Gendre | |||
| Orientalists, Islamists and the Global Public Sphere | View | ||
| Dietrich Jung | |||
| Dudjom Rinpoche's Vajrakīlaya Works | View | ||
| Cathy Cantwell, Robert Mayer | |||
| Journal of Cognitive Historiography | Vol 1 No. 1 (2014) | The Asklepios Cult: Where Brains, Minds, and Bodies Interact With the World, Creating New Realities | View |
| Olympia Panagiotidou | |||
| Popular Music History | Vol 10 No. 1 (2015) | ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield | View |
| Owen Hatherley | |||
| Journal for the Study of Religion, Nature and Culture | Vol 6 No. 1 (2012) | The Friendly Yeti | View |
| Daniel Capper | |||
| Journal for the Study of Religion, Nature and Culture | Vol 7 No. 3 (2013) | ‘Greening Dharma’: Contemporary Japanese Buddhism and Ecology | View |
| Ugo Dessi | |||
| International Journal for the Study of New Religions | Vol 6 No. 2 (2015) | Orality and Refractions of Early Literary Textualizations in Gurdjieff’s Beelzebub’s Tales to His Grandson | View |
| Michael Pittman | |||
| Sociolinguistic Studies | Vol 2 No. 3 (2008) Monolingualism | ‘Who can tell, mon ami?’ Representations of bilingualism for a majority monolingual audience | View |
| Gaelle Planchenault | |||
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