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| Journal | Issue | Title | |
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
| Eugene Dairianathan | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Whose home; which island?: displacement and identity in ‘My Island Home’ | View |
| Jon Stratton | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs | View |
| Julie Rickwood | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
| MELISSA BATTERSBY, MERET VALTWIES | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Perfect Beat | Vol 4 No. 3 (1999) | THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA | View |
| DENNIS CROWDY, MICHAEL GODDARD | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 3 No. 3 (1997) | INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | View |
| KARL NEUENFELDT | |||
| Perfect Beat | Vol 3 No. 2 (1997) | DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir | View |
| ALEX GIBB, MEAGAN LOADER | |||
| Perfect Beat | Vol 2 No. 4 (1996) | THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll | View |
| PETER COX | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 2 No. 1 (1994) | DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP | View |
| IAN MAXWELL, NIKKI BAMBRICK | |||
| Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
| SHUHEI HOSOKAWA | |||
| Perfect Beat | Vol 2 No. 1 (1994) | EXOTIC HULA 'Hawaiian' Dance Entertainment in post-War Australia | View |
| NIKKI BAMBRICK | |||
| Journal of Interactional Research in Communication Disorders | Vol 1 No. 1 (2010) | Cultural Brokerage in Mediated Health Consultations: An Analysis of Interactional Features and Participant Perceptions in an Audiology Context | View |
| Claire Penn, Jennifer Watermeyer, Tom Koole, Janet de Picciotto, Dale Ogilvy, Mandy Fisch | |||
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