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Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Perfect Beat Vol 10 No. 1 (2009) Television special Thai television and pleeng luuk tung: The role of television in the Isan cultural revival View
James Leonard Mitchell
 
Perfect Beat Vol 12 No. 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock View
Emma Baulch
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Perfect Beat Vol 13 No. 1 (2012) 'Like him or loathe him': 
critical reactions to André Rieu in Australia View
Sarah Keith
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Perfect Beat Vol 15 No. 1 (2014) Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs View
Julie Rickwood
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Perfect Beat Vol 3 No. 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song View
PETER DUNBAR-HALL
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Journal of Interactional Research in Communication Disorders Vol 2 No. 2 (2011) Multimodality in aphasic conversation: Why gestures sometimes do not help View
Peter Auer, Angelika Bauer
 
Journal of Interactional Research in Communication Disorders Vol 4 No. 2 (2013) That’s my story! Resisting disabling processes in a therapeutic activity View
Gitte Rasmussen
 
Journal of Interactional Research in Communication Disorders Vol 5 No. 2 (2014) Aspects of rating communicative interaction: Effects on reliability and agreement View
Karin Eriksson, Sara Bergström, Emilia Carlsson, Lena Hartelius, Charlotte Johansson, Anneli Schwarz, Charlotta Saldert
 
PentecoStudies Vol 9 No. 1 (2010) The Global Context of Transnational Pentecostalism in Europe View
Bernice Martin
 
PentecoStudies Vol 9 No. 2 (2010) Conversion Careers and Culture Politics in Pentecostalism: Time, Space and Mobility in Four Continents View
Henri Gooren
 
PentecoStudies Vol 13 No. 1 (2014) A Megachurch in a Megacity: A Study of Cyberspace Representation View
Mark Cartledge, Andrew Davies
 
PentecoStudies Vol 13 No. 2 (2014) "Catch the Fire": Revivalist Spirituality from Toronto to Beyond View
Mark Cartledge
 
PentecoStudies Vol 14 No. 1 (2015) Institutional Explanations for the Decline of the Congregação Cristã no Brasil View
Rubia R. Valente
 
International Journal for the Study of New Religions Vol 2 No. 1 (2011) Consciousness Raising: The Critique, Agenda, and Inherent Precariousness of Contemporary Anglophone Atheism” View
Christopher Robert Cotter
 
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