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Journal | Issue | Title | |
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
Timothy Koozin | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
Timothy Koozin | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Thai television and pleeng luuk tung: The role of television in the Isan cultural revival | View |
James Leonard Mitchell | |||
Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
Emma Baulch | |||
Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
Hyunjoon Shin | |||
Perfect Beat | Vol 13 No. 1 (2012) | 'Like him or loathe him': critical reactions to André Rieu in Australia | View |
Sarah Keith | |||
Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
Anthony Y.H. Fung | |||
Perfect Beat | Vol 15 No. 1 (2014) | Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs | View |
Julie Rickwood | |||
Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
Andrew Wright Hurley | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
Botond Vitos | |||
Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
Philip Hayward, Rachael Privett | |||
Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
MARTIN CLOONAN | |||
Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
Philip Hayward, SUEO KUWAHARA | |||
Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
MASAHIRO YASUDA | |||
Perfect Beat | Vol 3 No. 3 (1997) | SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | View |
PETER DUNBAR-HALL | |||
Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
DAVID GOLDSWORTHY | |||
Journal of Interactional Research in Communication Disorders | Vol 2 No. 2 (2011) | Multimodality in aphasic conversation: Why gestures sometimes do not help | View |
Peter Auer, Angelika Bauer | |||
Journal of Interactional Research in Communication Disorders | Vol 4 No. 2 (2013) | That’s my story! Resisting disabling processes in a therapeutic activity | View |
Gitte Rasmussen | |||
Journal of Interactional Research in Communication Disorders | Vol 5 No. 2 (2014) | Aspects of rating communicative interaction: Effects on reliability and agreement | View |
Karin Eriksson, Sara Bergström, Emilia Carlsson, Lena Hartelius, Charlotte Johansson, Anneli Schwarz, Charlotta Saldert | |||
PentecoStudies | Vol 9 No. 1 (2010) | The Global Context of Transnational Pentecostalism in Europe | View |
Bernice Martin | |||
PentecoStudies | Vol 9 No. 2 (2010) | Conversion Careers and Culture Politics in Pentecostalism: Time, Space and Mobility in Four Continents | View |
Henri Gooren | |||
PentecoStudies | Vol 13 No. 1 (2014) | A Megachurch in a Megacity: A Study of Cyberspace Representation | View |
Mark Cartledge, Andrew Davies | |||
PentecoStudies | Vol 13 No. 2 (2014) | "Catch the Fire": Revivalist Spirituality from Toronto to Beyond | View |
Mark Cartledge | |||
PentecoStudies | Vol 14 No. 1 (2015) | Institutional Explanations for the Decline of the Congregação Cristã no Brasil | View |
Rubia R. Valente | |||
International Journal for the Study of New Religions | Vol 2 No. 1 (2011) | Consciousness Raising: The Critique, Agenda, and Inherent Precariousness of Contemporary Anglophone Atheism” | View |
Christopher Robert Cotter | |||
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