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Journal | Issue | Title | |
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | The Power of the Past: Inventing Traditions in Early Amsterdam Freemasonry | View |
Joost Jonker | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
Jon Fitzgerald | |||
Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
Shane Homan | |||
Perfect Beat | Vol 11 No. 2 (2010) | Emo online: networks of sociality/networks of exclusion | View |
Rosemary Overell | |||
Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
Emma Baulch | |||
Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
Paul Oldham | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
Christina Ballico | |||
Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
MELISSA BATTERSBY, MERET VALTWIES | |||
Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
Rachael Gorham, Arielle Nakache | |||
Perfect Beat | Vol 9 No. 1 (2008) | MELBOURNES BY THE DOZEN Four rock albums and the evocation of place | View |
JOHN ENCARNACAO | |||
Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
MARTIN CLOONAN | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
ANDREW MURPHIE | |||
Perfect Beat | Vol 3 No. 2 (1997) | DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir | View |
ALEX GIBB, MEAGAN LOADER | |||
Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
DAVID GOLDSWORTHY | |||
Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
LUTGARD MUTSAERS | |||
Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
MALCOLM PHILPOTT | |||
Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
PHILIP HAYWARD | |||
Bulletin for the Study of Religion | Vol 41 No. 4 (2012) | Historical Cookbooks in the Study of American Religion | View |
Emily Bailey | |||
Bulletin for the Study of Religion | Vol 43 No. 3 (2014) | Agency, Structure, Change, Power…and Jesus: A Response to Ian Henderson, Justin Tse and Roland Boer | View |
James Crossley | |||
PentecoStudies | Vol 10 No. 1 (2011) | The Jesus People Movement and The Charismatic Movement: A Case for Inclusion | View |
Richard Bustraan | |||
PentecoStudies | Vol 11 No. 1 (2012) | Spirit Baptism, Socialization and Godly Love in the Church of God (Cleveland, TN) | View |
Kimberley Ervin Alexander, James P. Bowers, Mark J. Cartledge | |||
PentecoStudies | Vol 11 No. 2 (2012) | Spirit and Church in the Ecclesiology of Lewi Pethrus | View |
Torbjörn Aronson | |||
PentecoStudies | Vol 11 No. 2 (2012) | Johan Thiessen and Margaretha Alt and the Birth of Pentecostalism in Indonesia | View |
Cornelius van der Laan | |||
PentecoStudies | Vol 12 No. 1 (2013) | Transnational Pentecostal Connections: an Australian Megachurch and a Brazilian Church in Australia | View |
Cristina Rocha | |||
1501 - 1525 of 1929 Items | << < 56 57 58 59 60 61 62 63 64 65 > >> |
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