Revise Search
Journal | Issue | Title | |
Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
Michael Flint | |||
Perfect Beat | Vol 19 No. 1 (2018) | Putting a premium on music: Exploring the vinyl revival in the Philippines | View |
Monika E. Schoop | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene | View |
Catherine Strong, Evelyn Morris | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo | View |
David Cooper | |||
Perfect Beat | Vol 11 No. 1 (2010) | Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. | View |
Roy Shuker | |||
Perfect Beat | Vol 8 No. 3 (2007) | Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg | View |
MICHELLE PHILLIPOV | |||
Journal of Film Music | Vol 6 No. 1 (2013) | Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf | View |
Alexis Luko | |||
Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 8. The Space of the Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music | View |
Vincenzo della Ratta | |||
Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
Andrew Murphie | |||
Equinox eBooks Publishing | The Handbook on Music Business and Creative Industries in Education | 'How NOT to land an internship': A Case Study of Experiential Learning in Sound Recording and Music Production Education | View |
Kirk McNally | |||
Popular Music History | Vol 8 No. 3 (2013) | An introduction to the music collection at the National Library of Sweden | View |
Jan Olofsson, Hans Gustafsson, David Brodin | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. | View |
Kheng K. Koay | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | The Mystery of Herrmann's Music for Selznick's Portrait of Jennie | View |
Thomas DeMary | |||
Perfect Beat | Vol 8 No. 4 (2008) | Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate | View |
JON STRATTON | |||
Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
PHILIP HAYWARD | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much | View |
James Wierzbicki | |||
Journal of Film Music | Vol 3 No. 2 (2010) | “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey | View |
Julia Heimerdinger | |||
Perfect Beat | Vol 11 No. 1 (2010) | Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan | View |
Mark Evans | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | How hard is it to remember Bananarama? The perennial forgetting of girls in music | View |
Lucy Robinson | |||
Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
Andrew MURPHIE | |||
Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne | View |
Al Marsden | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
Rebecca FÜlÖP | |||
Perfect Beat | Vol 9 No. 1 (2008) | Evans, M (2007) Open Up the Doors: Music in the Modern Church, London: Equinox | View |
ROBIN RYAN | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. | View |
Kendra Preston Leonard | |||
Perfect Beat | Vol 20 No. 1 (2019) | ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard | View |
Paul Ballam-Cross | |||
526 - 550 of 3889 Items | << < 17 18 19 20 21 22 23 24 25 26 > >> |
Search tips:
- Search terms are case-insensitive
- Common words are ignored
- By default only articles containing all terms in the query are returned (i.e., AND is implied)
- Combine multiple words with OR to find articles containing either term; e.g., education OR research
- Use parentheses to create more complex queries; e.g., archive ((journal OR conference) NOT theses)
- Search for an exact phrase by putting it in quotes; e.g., "open access publishing"
- Exclude a word by prefixing it with - or NOT; e.g. online -politics or online NOT politics
- Use * in a term as a wildcard to match any sequence of characters; e.g., soci* morality would match documents containing "sociological" or "societal"
Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email: [email protected]