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Perfect Beat Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) ‘It was hard before and it’s even harder now’: The impact of COVID-19 on Australia’s live music and arts entertainment industries View
Kat Nelligan, Pariece Nelligan
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo View
David Cooper
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
Monika E. Schoop
 
Journal of World Popular Music Vol 4 No. 2 (2017) Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time View
Pablo Alabarces, Felipe Trotta
 
Journal of World Popular Music Vol 3 No. 1 (2016) “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene View
Catherine Strong, Evelyn Morris
 
Perfect Beat Vol 11 No. 1 (2010) Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. View
Roy Shuker
 
Perfect Beat Vol 8 No. 3 (2007) Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg View
MICHELLE PHILLIPOV
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Journal of Film Music Vol 6 No. 1 (2013) Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf View
Alexis Luko
 
Popular Music History Vol 8 No. 3 (2013) An introduction to the music collection at the National Library of Sweden View
Jan Olofsson, Hans Gustafsson, David Brodin
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Equinox eBooks Publishing The Handbook on Music Business and Creative Industries in Education Reconceptualising Higher Education Programs in Music for a Rapidly Changing Global Creative Industries Sector: An Australian Perspective View
Ryan Daniel
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies The Mystery of Herrmann's Music for Selznick's Portrait of Jennie View
Thomas DeMary
 
Perfect Beat Vol 8 No. 4 (2008) Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate View
JON STRATTON
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much View
James Wierzbicki
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 8. The Space of the Gong Culture in the Central Highlands of Vietnam: Old and New Directions in Ede Traditional Music View
Vincenzo della Ratta
 
Equinox eBooks Publishing The Handbook on Music Business and Creative Industries in Education “How NOT to land an internship”: A Case Study of Experiential Learning in Sound Recording and Music Production Education View
Kirk McNally
 
Journal of Film Music Vol 3 No. 2 (2010) “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey View
Julia Heimerdinger
 
Perfect Beat Vol 11 No. 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan View
Mark Evans
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) How hard is it to remember Bananarama? The perennial forgetting of girls in music View
Lucy Robinson
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Perfect Beat Vol 9 No. 1 (2008) Evans, M (2007) Open Up the Doors: Music in the Modern Church, London: Equinox View
ROBIN RYAN
 
Journal of Film Music Vol 2 No. 2-4 (2009) Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. View
Kendra Preston Leonard
 
Perfect Beat Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne View
Al Marsden
 
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