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Journal | Issue | Title | |
Buddy Holly | View | ||
Dave Laing† | |||
Perfect Beat | Vol 10 No. 2 (2009) | Williams, Andrew. 2007. Portable Music and its Functions. New York: Peter Lang. ISBN 978-0-8204-8125-8 (pbk). 127 pp | View |
Michael Bull | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Elliott, Richard. 2013. Nina Simone. Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp | View |
Diane Hughes | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | Motti Regev. 2013. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. Cambridge: Polity. 224pp. ISBN 978-0-7456-6173-5 (pbk) | View |
Jason Toynbee | |||
Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
JULIA KNIGHT | |||
Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
BRUCE JOHNSON | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia | View |
Dijana Jelača | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still | View |
E. Todd Flegel | |||
Equinox eBooks Publishing | Desperado | Thoughts on Simplicity | View |
Tomasz Stańko | |||
Implicit Religion | Vol 10 No. 1 (2007) | Review of Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music by Anthony B. Pinn | View |
François Gauthier | |||
Perfect Beat | Vol 11 No. 2 (2010) | Stratton, J. 2009. Jews, Race and Popular Music. Burlington, VT: Ashgate. ISBN 978- 0-7546-6804-6 (hbk). 238pp. | View |
Judah M. Cohen | |||
James Brown | View | ||
John Scannell | |||
Perfect Beat | Vol 3 No. 3 (1997) | SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | View |
SHANE HOMAN | |||
Sociolinguistic Studies | Vol 9 No. 1 (2015) | Underlining authenticity through the recreolization process in rap music: A case of an in-group answer to an identity threat | View |
Pedro Álvarez Mosquera | |||
Popular Music History | Vol 4 No. 2 (2009) | Resource notes | View |
Ditmer Weertman | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) | View |
Nina Menezes | |||
Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] | View |
Roger Hickman | |||
Perfect Beat | Vol 15 No. 1 (2014) | Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. | View |
Julie Rickwood | |||
Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Last Testament | View |
Ray Smith, Mike Pointon | |||
Equinox eBooks Publishing | The Other Voice | Writers and Teachers | View |
Carola Darwin | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). | View |
Bruce Johnson | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. | View |
Christine Lee Gengaro | |||
Perfect Beat | Vol 10 No. 2 (2009) | Stroud, Sean. 2008. The Defence of Tradition in Brazilian Popular Music. Hampshire: Ashgate. ISBN 978-0-7546-6343-0 (hbk). 215 pp | View |
Flavia Lucia Rubini-Lean | |||
Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
COLIN MCLEAY | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
Linda Schubert | |||
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