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| Journal | Issue | Title | |
| Perfect Beat | Vol 15 No. 1 (2014) | Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp. | View |
| Nick Braae | |||
| Buddhist Studies Review | Vol 24 No. 2 (2007) | Zen Classics: Formative Texts in the History of Zen Buddhism, eds Steven Heine & Dale S. Wright (Oxford: Oxford University Press, 2006),viii + 283 pp, £14.99, ISBN 0-19-517525-5 | View |
| John Kieschnick | |||
| Writing & Pedagogy | Vol 8 No. 2 (2016) | A Language as Social Semiotic-Based Approach to Teaching and Learning in Higher Education Caroline Coffin and Jim Donohue (2014) Wiley-Blackwell, pp308 ISBN 978-1-1189-2382- | View |
| Liangtao Lai | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene | View |
| Lauren Istvandity | |||
| International Journal of Speech Language and the Law | Vol 21 No. 1 (2014) | Book announcements | View |
| Ikuko Nakane | |||
| Sociolinguistic Studies | Vol 6 No. 1 (2005) Estudios de Sociolingüística 6.1 2005 | Review of Style and Sociolinguistic Variation by Penelope Eckert & John R. Rickford | View |
| Virginia Acuna Ferreira | |||
| International Journal of Speech Language and the Law | Vol 26 No. 1 (2019) | Corpus-based Research on Variation in English Legal Discourse, Teresa Fanego and Paula Rodríguez-Puente, eds (2019) | View |
| Zhiying Xin, Jiawei Wang | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp | View |
| Martin Cloonan | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) | View |
| Thomas R. Hilder | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Lila Ellen Gray. 2013. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press. 328pp. ISBN 978-0-8223-5471-0 (pbk) | View |
| Pedro Félix | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. | View |
| Roy Shuker | |||
| Linguistics and the Human Sciences | Vol 10 No. 3 (2014) | Contrastive Discourse Analysis – Functional and Corpus Perspectives Maite Taboada, Susana Doval Suárez and Elsa González Álvarez, Eds. | View |
| Lene Nordrum | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | Editorial | View |
| Catherine Tackley | |||
| International Journal of Speech Language and the Law | Vol 23 No. 1 (2016) | A study on authorship attribution of Chinese texts based on discourse information analysis | View |
| Shaomin Zhang | |||
| Buddhist Studies Review | Vol 25 No. 2 (2008) | Review of: Reiko Ohnuma, Head, Eyes, Flesh and Blood: Giving Away the Body in Indian Buddhist Literature, (New York: Columbia University Press, 2007) | View |
| Dr Naomi Appleton | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Lauren Shaw, ed. 2013. Song and Social Change in Latin America | View |
| Styliani Fotopoulou | |||
| Linguistics and the Human Sciences | Vol 5 No. 1 (2009) | Editor's Introduction | View |
| Jonathan Webster | |||
| Writing & Pedagogy | Vol 8 No. 1 (2016) | English for Specific Academic Purposes (ESAP) Writing | View |
| John Flowerdew | |||
| Popular Music History | Vol 13 No. 3 (2020) | Jon Stratton, Jon Dale and Tony Mitchell, eds., An Anthology of Australian Albums: Critical Engagements. | View |
| Shane Homan | |||
| International Journal of Speech Language and the Law | Vol 24 No. 1 (2017) | Language and Law: A Resource Book for Students Alan Durant and Janny H. C. Leung (2016) Routledge xvi +241 pp | View |
| Chuanyou Yuan | |||
| Journal for the Academic Study of Religion | Vol 22 No. 1 (2009) | Christopher Deacy and Gaye Williams Ortiz, Theology and Film: Challenging the Sacred/Secular Divide. Blackwell, Malden, MA, 2008, pp. xiv+245, ISBN 978-1-4051- 4438-4 (pbk) | View |
| Anton Karl Kozlovic | |||
| Popular Music History | Vol 6 No. 3 (2011) | Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. | View |
| Dave Laing | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Bannister, M. (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate. | View |
| Andy Bennett | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
| Ross Hagen | |||
| Comparative Islamic Studies | Vol 2 No. 1 (2006) | The Author & His Doubles: Essays on Classical Arabic Literature Abdelfattah Kilito. Trans. by Michael Cooperson. Syracuse University Press, 2001 and Jews, Turks, Ottomans: A Shared History Avigdor Levy (Ed.), Syracuse University Press 2002 | View |
| Teresa Camacho | |||
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