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Journal | Issue | Title | |
Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. | View |
Jason Buchea | |||
Buddhist Studies Review | Vol 37 No. 2 (2020) | Buddhism and Medicine: An Anthology of Premodern Sources, edited by C. Pierce Salguero. | View |
Ronit Yoeli-Tlalim | |||
Popular Music History | Vol 13 No. 3 (2020) | Matt Brennan, Kick It: A Social History of the Drum Kit. | View |
Karlyn King | |||
Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
Wolf-Georg Zaddach | |||
Journal of World Popular Music | Vol 8 No. 2 (2021) | Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes. | View |
Manuela Belén Calvo | |||
Journal of Applied Linguistics | Vol 2 No. 1 (2005) | Evaluative expressions in analystical arguments: aspects of appraisal in assigned English language essays | View |
Wu Siew Mei, Desmond Allison | |||
Journal for the Academic Study of Religion | Vol 27 No. 1 (2014) | Cultural Framing of Risk and Religion within Science Fiction Narratives | View |
Adam Possamai, Alphia Possamai-Inesedy | |||
Communication & Medicine | Vol 5 No. 2 (2008) | The rhetoric of patient voice: Reported talk with patients in referral and consultation letters | View |
Marlee M. Spafford, Catherine F. Schryer, Lorelei Lingard | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
International Journal for the Study of New Religions | Vol 6 No. 2 (2015) | Orality and Refractions of Early Literary Textualizations in Gurdjieff’s Beelzebub’s Tales to His Grandson | View |
Michael Pittman | |||
Journal of Applied Linguistics and Professional Practice | Vol 2 No. 1 (2005) JAL Vol 2, No 1 (2005) | Evaluative expressions in analystical arguments: aspects of appraisal in assigned English language essays | View |
Wu Siew Mei, Desmond Allison | |||
Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
Ian Trowell | |||
Gender and Language | Vol 11 No. 1 (2017) | Resisting silence: moments of empowerment in Iranian women’s blogs | View |
Maryam Paknahad Jaborooty, Paul Baker | |||
Writing & Pedagogy | Vol 11 No. 1 (2019) | How to compose a narrative: Students’ approaches and pedagogical implications | View |
Anja Thorsten | |||
Popular Music History | Vol 11 No. 3 (2018) | Making modern music: Rush, Signals and the limits of creative transgression | View |
Andy Bennett | |||
Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX | View |
Pil Ho Kim, Wonseok Lee | |||
Gender and Language | Vol 6 No. 1 (2012) | The days of our lives: Language, gender and affluence on a daytime television drama | View |
Robin Queen | |||
Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | English ‘on top’: discourse functions of English resources in the German mediascape | View |
Jannis Androutsopoulos | |||
Comparative Islamic Studies | Vol 4 No. 4.1 / 4.2 (2008) | The Crusades, Christianity, and Islam, by Jonathan Riley-Smith. Bampton Lectures in America Series. Columbia University Press, 2008. Hb. 136 pp., $13.25/£18.25. ISBN-13: 9780231146241. | View |
J. Patrick Hornbeck II | |||
Comparative Islamic Studies | Vol 6 No. 6.1-6.2 (2010) Vol 6, no 1-2 (2010) | Editor's Preface | View |
Walid A. Saleh | |||
Gender and Language | Vol 7 No. 1 (2013) Gender, language and translation at the crossroads of disciplines | Introduction: Gender, language and translation at the crossroads of disciplines | View |
Olga Castro | |||
Implicit Religion | Vol 10 No. 2 (2007) | Review of Teaching as Believing: Faith in the University, Studies in Religion and Higher Education by Chris Anderson | View |
Gavin D'Costa | |||
Implicit Religion | Vol 15 No. 2 (2012) | The Enlightenment Bible: Translation, Scholarship, Culture, by Jonathan Sheehan. Princeton University Press, 2005. 296pp., Pb., $26.95/£18.95. ISBN-13: 9780691130699 | View |
Robert Ellis | |||
Implicit Religion | Vol 16 No. 3 (2013) | Art as Theology: From the Postmodern to the Medieval, by Andreas Andreopoulos. Acumen Publishing, 2007. 193pp., Pb., £19.00. ISBN-13: 9781845531713. | View |
Graham Howes | |||
Implicit Religion | Vol 17 No. 4 (2014) | Science Fiction, Historical Fiction and Religion Fiction? | View |
Edward Bailey | |||
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